Have a Gander at The Edinburgh Festival Fringe 2026 – Flamenc Oh!!


FLAMENC OH!! is our attempt to look at flamenco through Yllana’s eyes.

It’s the story of a very traditional flamenco family whose world is turned upside down when someone new arrives with different ideas. The result is a mixture of live flamenco, physical comedy and family chaos.

We’ve tried to make a show that celebrates flamenco while allowing it to laugh at itself from time to time.

Yllana has been creating visual comedy for more than 35 years, but flamenco was new territory for us.

The process became a conversation between two worlds. On one side, our way of telling stories without words; on the other, artists who have devoted their lives to flamenco. We learnt from each other constantly. Sometimes we pushed them towards comedy, and sometimes they reminded us why certain traditions exist in the first place.

The show grew from that dialogue.


This will be our eighth Fringe, so it genuinely feels like coming home.

What makes Edinburgh special is not just the audiences—although they’re extraordinary—but the fact that the whole city seems to exist for theatre. During the Fringe you spend as much time discovering other artists as performing your own work. Every year you leave with new ideas… and usually a very long list of shows you wish you’d had time to see.

We’re not trying to reinvent flamenco.

We’re simply looking at it from a different angle.

The flamenco in the show is completely genuine. The comedy is unmistakably Yllana. Somewhere between those two things we found a language that belongs to both


Absolutely.

As a company, we’ve always enjoyed stepping into worlds that already have their own rules—opera, classical music, sport—and asking ourselves where the comedy might be hiding.

This time, however, we were working alongside artists who carry flamenco in their everyday lives. That changed everything. The show isn’t built on clichés but on conversations, rehearsals and a genuine curiosity about the people behind the art form.

Hopefully they’ll leave smiling.

But I’d also like them to leave feeling that traditions don’t become smaller when they evolve. They stay alive because every generation finds a new way to make them their own.

If someone leaves the theatre wanting to listen to more flamenco, we’ve done something right.


The ideal audience is a curious one.

It doesn’t matter whether you know everything about flamenco or absolutely nothing.

If you’re an expert, you’ll recognise the references and enjoy seeing the rules gently turned upside down.

If you’ve never heard a soleá in your life, you’ll simply meet an eccentric family whose problems are surprisingly familiar

I’m not sure “relax” is the right word for Edinburgh.

The best way to spend a day off is exactly the same as everyone else does: walking into theatres. I especially enjoy international visual theatre because language disappears and you’re reminded how many different ways there are to tell a story.

I’d encourage people to take a chance on something they know nothing about. Those are usually the shows you remember years later.



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