Keep it Fringe 2026: Sixteen Artists Share £40k as the Fringe Society Sounds the Alarm on Sustainability There’s a rhythm to the build up of the Festival Fringe, usually picking up pace around Springtime: the clocks go forward, the posters get sent away for vetting, baked potatoes become more valuable than gold, and the Fringe … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – Keep it Fringe 2026: Sixteen Artists Share £40k
There’s a particular sound that echoes across Edinburgh every year. It’s not the seagulls, nor the clatter of scaffolding as yet another venue sprouts from a car park. It’s the collective gasp of Fringe‑goers realising the programme has ballooned again — this time by 1,730 new shows, bringing the total to 2,083; so far. And … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – 1,730 New Shows Confirmed as Edinburgh Braces for Impact
The Manipulate Festival has returned to Edinburgh for its 19th edition, with a glorious first time collaboration with The Filmhouse to house their film events. Part of the festival was a collection of animated horror shorts from around the globe. Each had their own styles, providing an eclectic and exciting mix of new works for … Continue reading Review: Animated Horror Shorts (Manipulate Festival) – The Filmhouse, Edinburgh
Performed and created by Ninon Noiret Directed by Ninon Noiret and Camille Marmié The Studio ★★★★ For one evening only, Manipulate plays host to a few side-walkers, as a strange, gallows-rich humour, and tender pulse runs through The Studio Theatre as The Raft of the Crab delivers a fusion of puppetry and physical theatre that … Continue reading Review: The Raft of the Crab – The Studio, Edinburgh
Auntie Empire storms into Manipulate with Disaster Plan’s trademark blend of bouffon clowning, dark satire, and political bite. Led by Julia Taudevin and Kieran Hurley, the show casts Taudevin as a decaying, delusional Britannia figure inviting her “family” to revel in imperial nostalgia while confronting a far grimmer truth. Evolving through earlier versions as live‑gore cabaret, … Continue reading Have a Gander at Auntie Empire – Manipulate 2026
Lead Artist and Performed by Mamoru Iriguchi Co-Directed & Co-Designed by Fergus Dunnet Review by Dominic Corr Traverse Theatre (Manipulate Run) ★★★ A strikingly unique and compelling theatrical curiosity unfolds in Glasgow as Vanishing Point presents Size Matters, a production that stretches its central metaphor across an hour of inventive puppetry, shifting scale, and philosophical musing, landing … Continue reading Review: Size Matters – The Citizens Theatre, Glasgow
https://youtu.be/4WkDHuGpStg Created, Directed and Performed by Alex Harvey and Charlotte Mooney - Ockham’s Razor Choreography by Nathan Johnston Review by Marina Funcasta The Lowry ★★★★★ “This piece is a culmination of everything we have learned in the twenty four years we have spent working together. Lets begin: Day One.” Quite an opening. Charlotte Mooney takes off her … Continue reading Review: Ockham’s Razor: Collaborator – The Place, London
https://youtu.be/P12_dHXCzuU Performed and Devised by Sadiq Ali, Phoebe Knight, Jonah Russell Artistic Direction by Sadiq Ali Review by Marina Funcasta The Studio (Edinburgh run) ★★★★ Sadiq Ali Company stuns with their new show, Tell Me. Taking an HIV diagnosis as a starting point, we follow Grace, played with delicacy by Phoebe Knight, as she contends … Continue reading Review: Tell Me – The Place, London
https://youtu.be/MDgQaLXkbx0 Musical Direction and Conducted by Miles Lallemant Review by Aislinn McSharry The Royal Lyceum Theatre ★★★ A mesmerising visual and auditory experience held at The Lyceum for the Edinburgh International Festival, Book of Mountains and Seas is a stunning collaboration of theatrical mediums, creating a storytelling experience. A vocal-theatre work, inspired by the ancient Chinese compilation "Book of … Continue reading Review: Edinburgh International Festival 2025 – Book of Mountains and Seas
Directed, Designed, and Animated by William Kentridge Translated by Robert David Macdonald Review by Dominic Corr The Lyceum Theatre ★★★★ Thirty years after its original incarnation, Faustus in Africa returns with a vengeance—reimagined, recontextualised, and still brimming with theatrical bite. Directed by William Kentridge and brought to life by the legendary Handspring Puppet Company, this … Continue reading Review: Edinburgh International Festival 2025 – Faustus in Africa!
