Bard in the Botanics' production of "Emma," directed by Gordon Barr and adapted by Jennifer Dick, offers a lively outdoor rendition filled with humor and charm. The cast, led by Esme Bayley, engages the audience with vibrant performances, despite some pacing issues. Overall, it presents a delightful exploration of romantic misunderstandings amidst a comedic backdrop, suitable for summer enjoyment.
The 2026 Edinburgh International Festival, led by Nicola Benedetti, centers on American independence's 250th anniversary through cross-disciplinary works exploring freedom and prejudice. Featuring immersive performances across various genres, the festival encourages active audience engagement while tackling contemporary issues like authoritarianism, cultural assimilation, and the opioid crisis, creating a vibrant cultural discourse.
'The Kibble Palace often houses the less family-friendly part of The BITB season. Caged inside its wrought iron, The Duchess of Malfi feels tightly enclosed and charged with menace.' says Dominic Corr ⭐⭐⭐⭐ - The Duchess of Malfi. Runs at The Kibble Palace, Glasgow, until August 1st
Find Your Light Theatre’s production of Everybody's Talking About Jamie delivers a heartfelt story of self-acceptance and dreams, featuring strong performances, particularly from Olly Freeman-Ferguson as Jamie. Despite some rough edges, including clunky transitions and occasional choreography issues, the show captivates with its vibrant energy and impressive technical elements, making for an enjoyable experience.
"I Can Die Too," directed by Bill Buckhurst, mixes musical and dramatic elements to portray Lily, a troubled actress rehearsing for a role. Despite initial disjointedness, the play shines with energetic performances and clever staging. While it offers a fresh perspective on women's narratives, a deeper emotional exploration would enhance its impact.
This year's festival showcases a rich array of puppet shows, from heartwarming tales to boundary-pushing comedy. Highlights include "Tiny Planet," exploring the cosmos, and "BTCH EAT DOG," addressing modern womanhood with dark humor. Each performance, unique and immersive, promises unforgettable experiences for audiences of all ages.
Happy Sad Productions showcases "Monty Python’s Spamalot" at Portobello Town Hall, delivering a high-energy performance filled with slapstick humor and stellar comedic timing. Standout performances from Stephen Donaldson as King Arthur and Justyne Snyder as the Lady of the Lake highlight the show, despite some sound issues. Overall, the production blends silliness and modern references into a hilarious experience.
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
Bard in the Botanics’ production of Shakespeare’s Twelfth Night, directed by Jennifer Dick, captivates with accessible storytelling set in the Glasgow Botanic Gardens. Highlighted by strong performances, particularly from Rebecca Robin and Lawrence Boothman, the production balances humor and emotional depth, successfully celebrating Shakespeare's timeless themes amidst a vibrant community atmosphere.
The Karate Kid: The Musical at The Festival Theatre brings nostalgia and excitement to the iconic story. With solid performances, particularly by Gino Ochello as Daniel and Adrian Pang as Mr. Miyagi, the production offers memorable songs and impressive choreography. While it has some structural flaws, it ultimately delivers a captivating coming-of-age tale.
