The Edinburgh Festival Fringe returns with over 3,000 shows, featuring Scottish, UK, and world premieres. This year highlights theatre for children and young people, exploring themes like identity and environmentalism. Various productions promise immersive experiences from clown adventures to puppet shows, celebrating creativity, resilience, and the joy of storytelling.
Dreambite Collective return with a sharp new queer romcom, following a dancer and a climate activist whose holiday fling on a Mediterranean cruise unravels when they discover they’re dating the same person. As sparks turn to sabotage and the pair target the ship’s environmental impact. Playwright Katrina Bennett has a chat with the team to … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Cruising
Big Live’s adaptation of Dracula, directed and choreographed by Joel Burke, is a visually captivating but flawed ballet. The production highlights the relationship between Dracula, Mina, and Jonathan Harker, but suffers from pre-recorded music and inconsistent lighting. Abbey Hansen's performance as Mina stands out, yet the adaptation's limited focus leaves much to be desired.
"Stories for Boys," directed by Hope Wishart and written by Kieron Barry, captivates with its unpredictable narrative and surreal elements. The play explores love and mortality through whimsical characters, Asso and Basso, amidst absurd skits by a chorus. Its unique design enhances its dreamlike quality, blending comedy and tragedy seamlessly.
From Bog Witches to Vibrators, Bigfoot to 'Happy Little Accidents', this year, our team of twelve Fringe writers (thus far) sat down and tackled our main bread and butter for the season; Theatre. Top Theatrical Picks - The Edinburgh Festival Fringe 2026
Revolution Days, directed by Shilpa T-Hyland and written by Mariem Omari, explores the humanitarian impacts of war through the eyes of aid worker Samira. The production captures the complexities of conflict, blending personal experiences with dark humor, while emphasizing the importance of bearing witness to human stories amid chaos.
Laurie Kemmett's review of Miss Saigon at the King's Theatre highlights the production's power and emotional depth. While acknowledging the show's controversies, Kemmett praises the outstanding performances and breathtaking set design. The narrative transcends a simple love story, exploring themes of motherhood, resilience, and the bond between the audience and theatre.
D.C. Jackson's "My Romantic History," directed by Johnny McKnight at the Tron Theatre, humorously dissects modern relationships through the dual perspectives of Tom and Amy. While the first half presents sharp observations and engaging performances, the second falls into repetitive self-analysis. Overall, it's a witty exploration of disconnection in romance.
The Fringe’s acrobatic powerhouses The Black Blues Brothers roar back into Edinburgh with their signature blend of rock’n’roll energy, jaw‑dropping stunts and irresistible showmanship. Fresh from global stages and armed with iconic tunes and high‑flying spectacle, they return to McEwan Hall ready to thrill all ages once again. Before they light up the festival, we … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Black Blues Brothers: Let’s Twist Again!
Lewie Watson, who plays Tom and Calvin in My Romantic History, discusses his role in the production, expressing its relatability and humor. He highlights the chemistry with co-star Rebecca Wilkie and the relevance of the script to modern dating. The play balances comedy with vulnerability, exploring themes of love and relationships.
