"Apparently Ugly" is a captivating musical that humorously explores Cinderella's stepsisters' quest for beauty, blending fun performances, engaging music, and poignant themes for a diverse audience.
Edinburgh Festival Fringe 2026 Review: Spin Cycle – Clover at Underbelly, Bristo Square
"Spin Cycle explores a tumultuous reunion between exes Kitt and Noel in a laundrette, blending romance and supernatural elements, though execution falls short of its potential."
Edinburgh Festival Fringe 2026 Review: I AM JOHNNY – Red Lecture Theatre, Summerhall
I AM JOHNNY, performed by Tessa Parr, humorously critiques performative masculinity through spoken-word poetry, intertwining audience interaction and charm, albeit lacking narrative depth.
Edinburgh Festival Fringe 2026 Review: Bucksomly Betrothals – Studio, theSpaceTriplex
Bucksomly Betrothals features five singles seeking love amidst chaotic matchmaking and underlying tensions, leading to hilarity and unexpected twists in their romantic pursuits.
Review – Holy Days
Holy Days is a charming road comedy featuring three nuns on a mission, showcasing strong performances amid nostalgic humor and stunning New Zealand landscapes.
Edinburgh Festival Fringe 2026 Review: Penelope – Belly Button, Underbelly, Cowgate
Penelope at Underbelly features exceptional songwriting, performance, and direction, blending humor and sincerity, creating an innovative, captivating experience that resonates deeply with audiences.
Edinburgh Festival Fringe 2026 Review: Bog Witch – Traverse 1, Traverse Theatre
Bryony Kimmings’ "Bog Witch" at the Traverse Theatre blends humor and vulnerability, exploring ecological collapse through her transition from city life to rural existence in a captivating theatrical experience.
Edinburgh Festival Fringe 2026 Review: Mayflies – Rear Warehouse, Brown’s of Leith
Grid Iron's adaptation of Andrew O’Hagan’s Mayflies at Brown's of Leith explores male friendships and loss across two timelines, effectively blending exuberance and heart-wrenching themes within a site-specific theatre experience.
Edinburgh Festival Fringe 2026 Review: Gagula: The Panto with Teeth! – Willow Studio, Greenside @ Riddles Court
Pig’s Ear Productions presents Gagula: The Panto with Teeth, a fast-paced adaptation of Dracula that struggles with panto elements despite strong performances and audience interaction.
Edinburgh Festival Fringe 2026 Review: Krapp’s Last Tape – Upstairs, Assembly Roxy
Eloise Robertson praises David Westhead's captivating performance in Krapp's Last Tape, highlighting his ability to engage the audience and evoke emotional depth in a brief timeframe, aided by a thoughtful set design.