Review: Inexperience – Pitlochry Festival Theatre

The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.

Review: The Three Musketeers- Edinburgh Castle

Illyria Theatre's adaptation of "The Three Musketeers" at Edinburgh Castle received a five-star review for its captivating performances and innovative staging. The cast excelled in multiple roles, with standout performances from Alex Layfield as D'Artagnan and Christopher Laishley as Athos. The production blended slapstick and drama, creating an engaging theatrical experience.

Have a Gander at The Critics Awards for Theatre in Scotland Winners 2026

Windblown wins Best Production The 2026 Critics’ Awards for Theatre in Scotland offered a vivid snapshot of a national theatre scene in remarkable health, celebrating a year in which Scottish stages delivered work of striking breadth, ambition and emotional force. Presented by Gavin Mitchell at Glasgow’s newly refurbished Citizens Theatre, the awards recognised no fewer … Continue reading Have a Gander at The Critics Awards for Theatre in Scotland Winners 2026

Review: Claws – Candlehouse Collective

Candle House Collective's play "Claws" offers a unique interactive experience where the audience engages via phone with an actor portraying a customer service representative. The narrative revolves around a deception involving a monster in a closet. While innovative and entertaining, the overall tension lacks seriousness, suggesting room for improvement in storytelling.

Have A Gander at The Edinburgh Festival Fringe 2026 – Top Musical Picks

With a song in our heart, the team has been hard at work figuring out which of the year's many (many) showtunes, powerballads, and shows with songs make the cut for Top Musical Picks at this year's Edinburgh Festival Fringe.

Have a Gander at The Edinburgh Festival Fringe 2026 – Oil & Whiskey

Oil and Whiskey arrives at the Fringe with New York swagger, blending country‑rock storytelling and off‑Broadway charm in a breakup musical that’s equal parts heartache and humour. As two former lovers retrace their relationship over a few too many whiskies, the show — composed by Nashville’s Kit Nolan — turns romantic misadventure into a free, … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Oil & Whiskey

Review: Shall Roger Casement Hang?- Hill Street Theatre, Edinburgh

"Shall Roger Casement Hang?" at Hill Street Theatre, directed by Hannah Bradley Croall, examines power and personal mythology through an intense dialogue between Sir Roger Casement and Captain Hall. The production balances dense political themes with intimate performances, showcasing the complexities of loyalty and identity. A notable debut for Union Theatre Company, it enriches Edinburgh's arts scene.

Have A Gander at The Edinburgh Festival Fringe 2026 – Top Picks for Children

The Edinburgh Festival Fringe returns with over 3,000 shows, featuring Scottish, UK, and world premieres. This year highlights theatre for children and young people, exploring themes like identity and environmentalism. Various productions promise immersive experiences from clown adventures to puppet shows, celebrating creativity, resilience, and the joy of storytelling.

Have a Gander at The Edinburgh Festival Fringe 2026 – Cruising

Dreambite Collective return with a sharp new queer romcom, following a dancer and a climate activist whose holiday fling on a Mediterranean cruise unravels when they discover they’re dating the same person. As sparks turn to sabotage and the pair target the ship’s environmental impact. Playwright Katrina Bennett has a chat with the team to … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Cruising

Review: Dracula- The Festival Theatre, Edinburgh

Big Live’s adaptation of Dracula, directed and choreographed by Joel Burke, is a visually captivating but flawed ballet. The production highlights the relationship between Dracula, Mina, and Jonathan Harker, but suffers from pre-recorded music and inconsistent lighting. Abbey Hansen's performance as Mina stands out, yet the adaptation's limited focus leaves much to be desired.