Revolution Days, directed by Shilpa T-Hyland and written by Mariem Omari, explores the humanitarian impacts of war through the eyes of aid worker Samira. The production captures the complexities of conflict, blending personal experiences with dark humor, while emphasizing the importance of bearing witness to human stories amid chaos.
Boys Don’t Dance is a poignant dance theatre show by award-winning queer and disabled choreographer Marc Brew, reflecting on his journey as a boy who defied society’s expectations to embrace his love for dance. The performance unfolds through a tapestry of memories, shedding light on the loneliness of being the only boy in a rural … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Marc Brew, creator of Boys Don’t Dance
Created by Hayley Earlam, Brrr will be presented at Edinburgh International Children’s Festival before transferring to the Edinburgh Festival Fringe as part of the Made in Scotland Showcase. If you wouldn’t mind giving us an introduction to yourself, the creatives involved in the show, and the show itself. My name is Hayley Earlam and I’m … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Hayley Earlam, creator of Brrr
Written by Ross MacKay, directed by Joe Douglas and produced by Scottish Theatre Producers, Cringe is presented at Edinburgh International Children’s Festival in association with Imaginate with support from OneRen. If you wouldn’t mind giving us an introduction to yourself, the creatives involved in the show, and the show itself. My name is Ross MacKay, … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Ross Mackay, writer of Cringe
Toto Kerblammo!, directed by Tim Crouch, is an immersive play for ages 10 and up, blending live action and award-winning binaural sound to explore themes of love and despair through the story of a girl and her dog. Audiences don headphones, enhancing the emotional experience as they witness a narrative about hope and healing.
The Bodyguard, an adaptation of the 1992 film, showcases a confident musical theatre experience at the Edinburgh Playhouse. While it prioritizes vocal power and visual spectacle over narrative depth, it captivates audiences with strong performances, especially from Sidonie Smith. Despite some uneven choreography, the production delivers thrilling musical moments and nostalgic engagement.
The Freshwater Five offers a compelling premise with moments of brilliance but suffers from pacing issues and a confusing plot structure. While certain performances, particularly Leigh Kelly's, stand out, directorial choices hinder character clarity. The play showcases innovative writing and staging but requires further refinement for emotional impact and coherence.
Simon Jay's play "Kenmure Street," directed by Nicola McCartney, captures the 2021 protests against unjust immigration policing, highlighting community solidarity through eyewitness accounts and humor, while revitalizing political theatre with engaging staging and diverse characters.
Walking on Eggshells, directed by Becky Hope-Palmer, creatively explores trauma and recovery from abuse through vibrant cabaret elements. Emma Lynne Harley delivers a heartfelt performance that engages with difficult themes while ensuring accessibility and communal involvement.
Written by Dale Wasserman, From the Novel by Ken Kesey Review by Hunter King Church Hill Theatre ★★★★ Leitheatre has transformed the Church Hill Theatre into one of the most famous psychiatric hospitals in the canon in their production of One Flew Over the Cuckoo’s Nest. In theme with the crux of the show, the … Continue reading Review: One Flew Over the Cuckoo’s Nest – Church Hill Theatre, Edinburgh
