Revolution Days, directed by Shilpa T-Hyland and written by Mariem Omari, explores the humanitarian impacts of war through the eyes of aid worker Samira. The production captures the complexities of conflict, blending personal experiences with dark humor, while emphasizing the importance of bearing witness to human stories amid chaos.
Laurie Kemmett's review of Miss Saigon at the King's Theatre highlights the production's power and emotional depth. While acknowledging the show's controversies, Kemmett praises the outstanding performances and breathtaking set design. The narrative transcends a simple love story, exploring themes of motherhood, resilience, and the bond between the audience and theatre.
D.C. Jackson's "My Romantic History," directed by Johnny McKnight at the Tron Theatre, humorously dissects modern relationships through the dual perspectives of Tom and Amy. While the first half presents sharp observations and engaging performances, the second falls into repetitive self-analysis. Overall, it's a witty exploration of disconnection in romance.
The Fringe’s acrobatic powerhouses The Black Blues Brothers roar back into Edinburgh with their signature blend of rock’n’roll energy, jaw‑dropping stunts and irresistible showmanship. Fresh from global stages and armed with iconic tunes and high‑flying spectacle, they return to McEwan Hall ready to thrill all ages once again. Before they light up the festival, we … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Black Blues Brothers: Let’s Twist Again!
Lewie Watson, who plays Tom and Calvin in My Romantic History, discusses his role in the production, expressing its relatability and humor. He highlights the chemistry with co-star Rebecca Wilkie and the relevance of the script to modern dating. The play balances comedy with vulnerability, exploring themes of love and relationships.
The Edinburgh People’s Theatre presents a successful rendition of Calendar Girls, directed by Jacqueline Wheble. The story follows Annie, who, alongside friends from the Women’s Institute, creates a nude calendar to raise funds after her husband's terminal cancer diagnosis. The performances, particularly by Lynn Cameron and Carol Bryce, capture the balance of humor and emotion, providing a heartfelt exploration of sisterhood amidst tragedy.
The Lyceum's 2026/27 season emphasizes ambitious storytelling, showcasing classic works reinterpreted through contemporary lenses. Highlights include adaptations like The Prime of Miss Jean Brodie and Mother Courage, alongside musicals like Guys & Dolls. The season aims to engage diverse audiences while balancing cherished traditions with fresh interpretations, reflecting theatre's shared essence.
The World Class Wrecking Crew, directed by Iris Supple-Still and written by Barney Herrin, explores the complex relationship between an absent father and his daughter against the backdrop of graffiti, addiction, and gentrification in London. Despite some pacing issues, the production effectively balances comedy and tragedy, resonating deeply with the community it represents.
The Edinburgh Festival Fringe is returning with over 3,000 shows featuring premieres from Scotland and around the world. This year's highlights include a diverse range of theatrical productions addressing contemporary issues. Expect recommendations on theatre, comedy, and more as audiences engage with innovative storytelling that challenges norms and celebrates creativity.
The Edinburgh People’s Theatre presents a successful rendition of Calendar Girls, directed by Jacqueline Wheble. The story follows Annie, who, alongside friends from the Women’s Institute, creates a nude calendar to raise funds after her husband's terminal cancer diagnosis. The performances, particularly by Lynn Cameron and Carol Bryce, capture the balance of humor and emotion, providing a heartfelt exploration of sisterhood amidst tragedy.
