Half a String's production "Tiny Planet" captivates audiences with its enchanting visuals and strong environmental messages. While designed for children, it offers valuable themes that resonate across ages, earning its Fringe accolades.
Edinburgh Festival Fringe 2026 Review: Final Queen- Big Belly, Underbelly
When they say “save the best for last” they are almost certainly referring to Grace Lightning as the classic “final girl” horror film survivor in her Edinburgh Fringe debut Final Queen. Harrison Sweeney and Rachel Kelly have struck the perfect mix of horror, circus, comedy, and most importantly, camp.
Have a Gander at The Edinburgh Festival Fringe 2026 – Bucksomly Betrothals
Bucksomly Betrothals is a comedic play centered on Alan Rivers, a former bowling champion seeking love amid chaos. Featuring a quirky narrative and a vibrant creative team, the show promises laughter and heartwarming moments. Set at the Fringe, it aims to inspire hope, showcasing the resilience of its flawed protagonist.
Have a Gander at The Edinburgh Festival Fringe 2026 – Maiden | Mother | Whore
"Maiden | Mother | Whore" at Fringe 2026, combines South Asian classical-contemporary dance, spoken word, and projections. This interdisciplinary performance, developed with University of Edinburgh researchers, fosters dialogue on gender and power, encouraging audiences to reflect on identities and societal structures without providing straightforward answers.
Have a Gander at The Edinburgh Festival Fringe 2026 – hame.teeth.CLUB
hame. teeth. CLUB. follows Morgan, a hedonistic party girl who’s chaotic antics come to a halt following a sexual assault that forces her to renavigate her life. hame. teeth. CLUB. tackles how communities talk about and treat survivors of assault, and just how much complicity plays a part in not supporting victims. #HaveAGander at hame.teeth.CLUB
Have a Gander at The Edinburgh Festival Fringe 2026 – Meet Mayor Max
'Meet Mayor Max' is a documentary-theatre show by Alex Robins, centering on a dog that became the mayor of an Idyllwild, California town. It explores themes of community, healing, and unconditional love, aiming to inspire audiences and provoke a renewed sense of purpose. This is Robins' first solo performance at the Fringe.
Edinburgh Festival Fringe 2026 Review; Forth Children’s Theatre: Frozen – Broughton High School, Edinburgh
Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez Directed by Georgia Brennan Musical Direction by Jack Gardner Choreography by Taylor Doig Review by Dominic Corr Broughton High School ★★★★ Sneaking in ahead of the ‘official’ Edinburgh Festival Fringe opening, audiences have a window to catch what is likely to be one of the musical highlights of … Continue reading Edinburgh Festival Fringe 2026 Review; Forth Children’s Theatre: Frozen – Broughton High School, Edinburgh
Have a Gander at The Edinburgh Festival Fringe 2026 – How Not to Make it in America
"How Not to Make it in America" is a one-man show featuring James Smith, who plays 28 characters, exploring the challenges of a naive Australian actor trying to succeed in New York before 9/11. Inspired by playwright Emily Steele's own experiences, the production highlights resilience and delusion in pursuing dreams amid unforeseen obstacles.
Have a Gander at The Edinburgh Festival Fringe 2026 – Antigone 1989: A Town Hall Musical
"Antigone 1989: A Town Hall Musical" reimagines Sophocles's tragedy in a contemporary California setting, engaging audiences in a political crisis. Featuring a vibrant score and interactive town hall format, the production emphasizes themes of human need, collective action, and advocacy, aiming to provoke thought on community involvement and personal freedoms.
Have a Gander at The Edinburgh Festival Fringe 2026 – Furniture Boys
Furniture Boys is a multidisciplinary show by Emily Weitzman, blending comedy, clowning, and spoken word to explore the absurdity of relationships through furniture. The performance examines themes of impermanence and artistic expression, transforming ex-boyfriends into furnishings. With a sold-out run off-Broadway and a return to Edinburgh Fringe, its unique perspective captivates diverse audiences.