Written by Samuel Beckett Directed by Dominic Hill Review by Dominic Corr The Citizens Theatre ★★★★★ A profound stillness settles over The Citizens Theatre as Waiting for Godot returns in a staging that feels both monumental and startlingly intimate, a triumph that reaffirms the play’s place as one of the most quietly devastating works of … Continue reading Review: Waiting for Godot – The Citizens Theatre, Glasgow
Written by Milly Sweeney Directed by Sally Reid Review by Libbi Hutton Òran Mór ★★★★★ Nostalgic, heart-warming and dynamic, writer Milly Sweeney’s sold out run of original two-man play ‘Someone’s Knocking at The Door’ is a perfectly paced, comedic insight into interpersonal relationships. The play’s genius lies in its character development and the subsequent illumination … Continue reading Review: Play, Pie, and a Pint: Someone’s Knockin’ at the Door – Òran Mór, Glasgow
https://www.flickr.com/photos/204241173@N04/55112398158/in/dateposted-public/ Conducted by Stuart Stratford Directed by Satoshi Miyagi Review by Eloise Robertson ★★★ Dai Fujikura and Harry Ross’ latest offering, The Great Wave, showcases a segment of Katsushika Hokusai’s life beautifully, with an eventful score and some fascinating aesthetic choices. These were almost sufficient to disguise the unfocused storyline, which became apparent when the … Continue reading Review: Scottish Opera: The Great Wave – The Festival Theatre, Edinburgh
https://youtu.be/bavdTCmRvWM Written by Hana Pascal Keegan, Gabriella Sloss and Robert Softley Gale Directed by Robert Softley Gale Review by Libbi Hutton BOP Theatre ★★★★ Unapologetic and provocative, Birds of Paradise’s “(We Indulge in) a bit of roll play” radically addresses disability and sex in a world “built to keep us apart”. With simulated sex scenes … Continue reading Review: (We Indulge in) a bit of roll play – The Tramway, Glasgow
A powerful, intimate touring production of David Greig’s acclaimed play, exploring a priest's search for answers after a mass shooting; The Events features a local community choir - a piece that investigates themes of resilience, empathy, and forgiveness. Originally staged for audiences at the wonderful Cumbernauld Theatre in October 2024, Wonder Fools tours The Events … Continue reading Have a Gander at Wonder Fool’s The Events – A Chat with Robbie Gordon
Written by Anton Chekov Adapted by Tom Stoppard Directed by Orly Benn Review by Marina Funcasta ★★★★★ My dreams with the seagulls fly Out of reach Out of cry Joni Mitchell’s Song to a Seagull opens EUTC’s most recent production of Chekhov’s infamous tragicomedy. Resounding from the balcony, our Nina, played with austerity by Daisy … Continue reading Review: The Seagull – Bedlam Theatre, Edinburgh
The Manipulate Festival has returned to Edinburgh for its 19th edition, with a glorious first time collaboration with The Filmhouse to house their film events. Part of the festival was a collection of animated horror shorts from around the globe. Each had their own styles, providing an eclectic and exciting mix of new works for … Continue reading Review: Animated Horror Shorts (Manipulate Festival) – The Filmhouse, Edinburgh
Written by Henry Lewis, Henry Shields, and Jonathan Sayer Directed by Matt DiCarlo Review by Dominic Corr The Festival Theatre ★★★★ The festive season often brings with it a parade of Dickens adaptations, each promising warm familiarity, heartfelt morality, and a sprinkling of theatrical snow. Ans yes, February counts as the festive season – at … Continue reading Review: Christmas Carol Goes Wrong- The Festival Theatre, Edinburgh
Music and Lyrics by Cole Porter Directed by William Freebairn Church Hill Theatre ★★★★ A riot of colour, charisma, and controlled chaos fills Church Hill Theatre as the Edinburgh University Footlights present Kiss Me, Kate, a production that embraces Cole Porter’s musical with gusto while smoothing some of its rougher edges for a contemporary audience. Under … Continue reading Review: Edinburgh University Footlights Present… Kiss Me, Kate – Church Hill Theatre, Edinburgh
Written by William Shakespeare Directed by Salvator Kent The Pleasance Theatre ★★★ Just in time for Valentine’s Day, Edinburgh University Shakespeare Society’s Romeo & Juliet arrives at The Pleasance with unmistakable ambition. Salvator Kent’s direction embraces a maximalist philosophy, restoring passages often trimmed from modern stagings and allowing Shakespeare’s text to unfurl in full, contradictory … Continue reading Review: Edinburgh University Shakespeare Company’s Romeo & Juliet – The Pleasance Theatre, Edinburgh
