The Lyceum's 2026/27 season emphasizes ambitious storytelling, showcasing classic works reinterpreted through contemporary lenses. Highlights include adaptations like The Prime of Miss Jean Brodie and Mother Courage, alongside musicals like Guys & Dolls. The season aims to engage diverse audiences while balancing cherished traditions with fresh interpretations, reflecting theatre's shared essence.
The World Class Wrecking Crew, directed by Iris Supple-Still and written by Barney Herrin, explores the complex relationship between an absent father and his daughter against the backdrop of graffiti, addiction, and gentrification in London. Despite some pacing issues, the production effectively balances comedy and tragedy, resonating deeply with the community it represents.
The Edinburgh Festival Fringe is returning with over 3,000 shows featuring premieres from Scotland and around the world. This year's highlights include a diverse range of theatrical productions addressing contemporary issues. Expect recommendations on theatre, comedy, and more as audiences engage with innovative storytelling that challenges norms and celebrates creativity.
The Edinburgh People’s Theatre presents a successful rendition of Calendar Girls, directed by Jacqueline Wheble. The story follows Annie, who, alongside friends from the Women’s Institute, creates a nude calendar to raise funds after her husband's terminal cancer diagnosis. The performances, particularly by Lynn Cameron and Carol Bryce, capture the balance of humor and emotion, providing a heartfelt exploration of sisterhood amidst tragedy.
Belgium’s Theatre4mains presented "Cheeky Zippy Violette" at the Scottish Storytelling Centre, skillfully performed by Gwladys Lefeuvre. The show entertains children while addressing themes of death and loss through playful storytelling. Lefeuvre's whimsical character and engaging interactions make for a captivating and memorable theater experience for young audiences.
Strawmoddie Theatre presents "The Night Watch", directed by Blair Flucker, featuring Commander Vimes in a time-travel adventure through a revolutionary Ankh-Morpork. The production showcases impressive performances, particularly by Chris Allan and Ben Blow, balanced with engaging set design and effective choreography, despite a lengthy runtime. Overall, a captivating homage to Pratchett.
"Everything/Nothing," performed by Alexis Rouvre at the Traverse Theatre, is a captivating family show that blends physical whimsy and impressive technical effects. Despite its marketing for younger audiences, some aspects may overwhelm sensitive viewers. Overall, Rouvre's masterful performance leaves a lasting impression, making it enjoyable for all ages.
"It Would Be a Shame If You Missed Out," directed by Jetse Batelaan, is a unique, chaotic production at The Traverse Theatre as part of the Edinburgh International Children's Festival. The play humorously explores themes of social exclusion and belonging through the lens of a party-like setting, blending absurdity and poignancy with skillful performances.
Tim Crouch's "Toto Kerblammo!" is an innovative theatre piece at The Studio Theatre that explores the emotional journey of a child, Effy, and her dog amid loss and uncertainty. The production combines minimalistic staging and headphone-aided storytelling to immerse young audiences in a dreamlike narrative, highlighting the bond between Effy and Toto.
Boys Don’t Dance, choreographed by Marc Brew, explores identity through movement, blending personal memory and societal pressure. The performance is marked by dynamic partnerships, innovative choreography, and a commitment to inclusivity, providing a compelling narrative about evolving self-expression.
