High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
Harvey Cobb's show, "Pink Boots and an Alcoholic Sock Puppet," blends social awkwardness with unexpected humor at the Edinburgh Fringe. Despite its unstructured moments and unclear themes, Cobb's performance, marked by unique tricks and audience interaction, offers an entertaining experience for those willing to embrace its absurdity.
Bi-Curious George's "Snail Trail" blends animal clowning with personal storytelling, creatively paralleling snail lives to the experiences of trans individuals. The show is heartfelt and educational, showcasing George’s passion for animals and personal transition. While charming, it would benefit from a stronger plot to enhance emotional engagement. Potentially a must-see with refinement.
HotCat Collective, queer dance-theatre group from Oxford, return to the Fringe with their debut show Stop Playing Jacob’s Ladder with My Spine, an absurdist exploration of oppressive social expectation within a domestic setting. No frills, no fakery – this show depicts real struggle through abstract means. Whilst the script would benefit from fleshing out with dialogue to explore the connection between characters, this is a promising production with a talented cast.
Richard MacLean Smith's "Unexplained: Live" showcases his storytelling skills from the Unexplained podcast. While engaging and enhanced by live music, the performance feels more like a podcast episode than a theatrical experience, sometimes resembling a lecture. Although good, it may better suit the podcast format.
"Most of My Moms Are Gay" is an autobiographical musical by Abby Goldfarb, reflecting on her unconventional upbringing in New York City. The show combines humor and heartfelt storytelling through powerful ballads, exploring her journey with issues like OCD and identity. Directed by Eddie Grey, it offers a celebration of individuality in an intimate setting.
The San Francisco Ballet's AI-inspired production, under Tamara Rojo's artistic direction and Aszure Barton's choreography, captivates with vibrant dance and striking visuals. Although the plot is abstract, the performance excels in sensory engagement, showcasing a talented ensemble and innovative musical elements. A stunning display of contemporary ballet artistry.
Steve Burns: Alive is an emotional one-man show that blends comedy and tragedy, reflecting on the complexities of his life as a children's TV host. With a mix of heartfelt stories and humor, Burns reconnects with grown-up fans, addressing mental health and the importance of support, leaving an inspirational message.
"Edinburgh Days," a rock opera set in 19th-century Edinburgh, delivers a powerful story of love, portrayed through stunning performances, effective set design, and captivating music—a must-see at the Fringe.
