Written by Nathan Scott-Dunn Directed by Edoardo Berto Review by Laurie Kemmett A Play, A Pie, and a Pint ★★★★ Walking into Oran Mor to see Un-Expecting, the set can only be described as unassuming. On a thrust style stage there is strung up two white sheets, an On Air sign, and two rods. The … Continue reading Review: Play, Pie, and a Pint: Un-Expecting – Òran Mór, Glasgow
Review by Dominic Corr Three60 ★★★★ Bodies enter the space already marked by memory. Before a single lift or suspension takes hold, World’s Evolution establishes its central question through movement alone: not how far we’ve travelled, but what we’ve carried with us along the way. Three60’s ambitious, richly layered production unfolds as a physical meditation … Continue reading Review: Three60: World’s Evolution – The Studio Theatre, Edinburgh
Book by Cheri Steinkellner and Bill Steinkellner Directed by Taylor Doig Musical Direction by Roisin Caulfield Review by Dominic Corr Broughton High School ★★★★ Raise your voice, grab a cheese-steak, say a few hail-mary’s and get ready to be possessed by a spirit which screams louder than anything else: Soul. And there’s a particular sparkle … Continue reading Review: Forth Children’s Theatre: Sister Act – Broughton High School, Edinburgh
Keep it Fringe 2026: Sixteen Artists Share £40k as the Fringe Society Sounds the Alarm on Sustainability There’s a rhythm to the build up of the Festival Fringe, usually picking up pace around Springtime: the clocks go forward, the posters get sent away for vetting, baked potatoes become more valuable than gold, and the Fringe … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – Keep it Fringe 2026: Sixteen Artists Share £40k
Book by Dean Pitchford and Walter Bobbie Music by Tom Snow Directed by Clare Wotton Review by Laurie Kimmett ★★★★ There is something delightfully rebellious about watching a theatre full of Edinburgh audiences attempt not to dance in their seats, and Footloose at Church Hill Theatre makes that restraint feel like an Olympic sport. Edinburgh … Continue reading Review: Edinburgh Music Theatre’s Footloose – Church Hill Theatre, Edinburgh
GUSH, the sharp new play from writer Jess Brodie, follows Ally - a woman on the edge of motherhood - who realises that despite doing everything “right,” something inside her still feels unsettled. In the final days of pregnancy, she’s pushed to confront her identity, her desires, and what she stands to lose or claim … Continue reading Have a Gander at GUSH- A Chat with Jess Brodie
The High Life musical revisits beloved Scottish characters with humor and charm, celebrating nostalgia while delivering engaging performances, vibrant staging, and delightful music, ensuring an entertaining experience.
https://youtu.be/TfJhAowLXyE Text by Josephine Eusebius Directed by Matthew Lenton Review by Dominic Corr The Tron Theatre ★★★★ Life and Death play chess at The Tron Theatre, as Vanishing Point and Teater Katapult come together with a commanding piece of slow-burn, spoke word rich production What I’m Here For. Announcing itself, quite often, with a devastating … Continue reading Review: What I’m Here For – Tron Theatre, Glasgow
There’s turning seventy‑five with a polite slice of Victoria sponge… and then there’s turning seventy‑five the Pitlochry Festival Theatre way: by calling in a trio of Scotland’s most recognisable exports and handing them the mic. Growing old tastefully no longer fits the theatre's dynamic: it's here to stir up momentum and energy. If there was ever any … Continue reading Have a Gander at Pitlochry Festival Theatre’s 75th Anniversary Appeal
Review by Dominic Corr ★★★★ There’s something remarkably special occurring – while at the same time, something horrific. In the wake of the rolling back of rights, the threat of not just re0emerging barriers, but new ones for Queer communities – art often flourishes as one of the view autonomous spaces left. Some shows arrive … Continue reading Review: Bedrock – Assembly Roxy, Edinburgh
