"I'll Be Seeing You," directed by Alan Cumming and Ben Occhipinti, is a dazzling world premiere at Pitlochry Festival Theatre. It explores the clash between modern queer identity and 1950s celebrity culture through the lens of a conflicted playwright. With strong performances, particularly from Simon Russell Beale, the production balances humor and poignant themes of sexuality and societal acceptance.
Wallace the Musical, a hip hop retelling of William Wallace’s story, seamlessly blends humor and emotion, probing his legacy while highlighting overlooked female figures. The energetic score complements a talented cast, with standout performances from Kimberly Mandindo and Ross Mann. The production invites questions about historical narratives, engaging audiences in a vibrant, entertaining experience.
"Balisong," written by Jennifer Adam and directed by Steve Small, explores youth knife crime through the story of Findlay Richards, conveyed by his friends. The play's strong performances and minimalist design effectively highlight its important message about recognizing and preventing knife crime, making it a vital contemporary piece for young audiences.
In Roxana Silbert's revival of Samuel Beckett's Happy Days at Pitlochry Festival Theatre, Winnie, played by Siobhan Redmond, embodies resilience amidst existential decay. The production transforms bleak themes into an intimate exploration of survival. Redmond's masterful performance shines in a captivating setting, reaffirming the enduring spirit of humanity.
Matthew Churcher discusses his role as Frocin in "Tristan & Yseult," portraying a complex character who is both powerful and insecure. He expresses excitement and pressure in joining this iconic production, highlighting the blend of genres that makes it unique. Churcher appreciates Emma Rice's creative freedom and the collaborative atmosphere in her rehearsal process.
Vardimon’s revival refuses to offer easy solace, choosing instead to confront the indignities of illness and the cold reality of loss with unflinching honesty. Rich in surreal irony, visual audacity, and extraordinary physical execution, this production stands as a profoundly moving, fiercely intelligent triumph of contemporary dance theatre.
Bedlam Theatre's revival of The Rocky Horror Picture Show, directed by Hunter King, received high praise for its campy flair and strong musical performances. The cast, particularly Lil Hodge as Dr. Frank 'N' Furter and Charlotte Senior as Janet, delivered captivating portrayals. The production thrived on energy, audience interaction, and vibrant visuals, honoring Tim Curry's legacy.
By stripping away the bombast of classical heroics, this deeply affecting production excavates the devastating gravitational pull of sisterhood and becomes a classical tale for a contemporary age.
The Edinburgh University Theatre Company presents The Rocky Horror Show at Bedlam Theatre from September 23rd to 26th. Directed by Hunter King, this cult musical blends sexuality, comedy, and audience participation. It invites viewers to embrace authenticity and celebrates its quirky legacy through engaging performances and a vibrant atmosphere, ensuring a unique theatrical experience.
The inaugural Inverness Fringe Festival, taking place from September 28 to October 4, 2026, aims to spotlight northern creatives through workshops, performances, and community engagement in the Highlands. With a focus on accessibility, the festival promotes local talent while offering diverse events, enhancing Scotland's cultural landscape beyond the Central Belt.
