"Tomatoes Tried to Kill Me but Banjos Saved My Life" returns to the Edinburgh Fringe after sold-out performances, highlighting the healing power of the arts through storytelling, humor, and live music. Proceeds benefit Summerhall Arts, and the show emphasizes inspiration and perseverance, with the creative team sharing a heartfelt personal journey.
"Jesse North Is Broken" is a one-woman show featuring Jesse, a 25-year-old care worker from Hull navigating life's chaos. Blending humor and heartfelt themes, it offers a raw look at modern working-class struggles. Through dynamic spoken word, audiences experience her search for purpose amid societal pressures, fostering empathy for care workers.
Meteors is a solo show by Melissa Pullinger, exploring her grief after losing her mother at 20. Premiering at the 2026 Adelaide Fringe, it engages audiences through humor and honesty, addressing the often-ignored topic of youth grief while fostering connections and conversations.
Bard in the Botanics’ production of Shakespeare’s Twelfth Night, directed by Jennifer Dick, captivates with accessible storytelling set in the Glasgow Botanic Gardens. Highlighted by strong performances, particularly from Rebecca Robin and Lawrence Boothman, the production balances humor and emotional depth, successfully celebrating Shakespeare's timeless themes amidst a vibrant community atmosphere.
Meteors is a solo show by Melissa Pullinger, exploring her grief after losing her mother at 20. Premiering at the 2026 Adelaide Fringe, it engages audiences through humor and honesty, addressing the often-ignored topic of youth grief while fostering connections and conversations.
Carmen Collective presents "Gameplay," an audio-described theatrical experience for both sighted and partially-sighted audiences, exploring themes of imagination amidst impending catastrophe. The performance, featuring Sam Rees and sound artist AJ Turner, delves into the significance of being a citizen during times of crisis, with a focus on hope and future possibilities.
Mean Girls, delivers a humorous and heartfelt portrayal of high school life with strong performances and clever staging. It effectively captures the essence of the beloved 2004 film while engaging today's audience.
This dark comedy explores the relationship between Susan, a grieving widow, and Teo, an immortal AI, as they navigate themes of love, grief, and spirituality. Originating from real conversations, the play challenges perceptions of connection in a digital age, prompting audiences to reflect on emotional intimacy and the complexities of human relationships.
The Bob Ross Effect is a theatrical celebration of kindness and creativity, showcasing a woman's journey as a carer while balancing her chaotic life. With a dynamic mix of spoken word, music, and live art, the performance invites audiences to engage and feel inspired. It reflects the importance of community and artistic expression at the Fringe.
Written by Nay Dhanak Directed by Ben Standish and Brian Logan Review by Laurie Kemmett ★★★ Hear ye! Hear ye! Plays, pies, and pints abound in Glasgow at lunchtime, and the latest iteration is Nay Dhanak’s Cry/Laugh. A town crier and a court jester find themselves ousted from their jobs, and lacking any sense of purpose they … Continue reading Review: Play, Pie, and a Pint: Cry/Laugh – Òran Mór, Glasgow
