The Strawmoddie Theatre Company's production of "I, Claudius" at The Royal Scots Club is a captivating four and a half-hour exploration of Roman power dynamics, featuring an impressive cast led by Timothy Bond as Claudius. Standout performances include Lucy Hagan-Walker’s Livia and Caitlin Carter’s Caligula, creating an engaging and humorous evening despite some uneven moments.
Trickey has real, genuine potential to fiercely balance charming, ribbing stories and observations with bigger-picture, poignant life philosophy. He is very likeable, obviously smart and perceptive. Trickey has the promise of being a seriously powerful comedian who packs out rooms with both laughter and feeling.
Farrelly delivers a great high-energy performance this year, full of punch lines and current issues which will have you continually laughing out loud—this is one to watch and worth a look. Catch him before the run ends at this Fringe festival at Studio 5 Assembly Festival, Edinburgh.
In "Forge," Tom Oakes presents an intimate exploration of displacement and heritage through music, intertwining traditional and modern elements. While its structure may feel loose at times, the production profoundly engages, highlighting the power of storytelling and memory.
The Real Kyle McCarren, crafted by Andy Roninson and Sean McVerry, is a poignant musical that blends humor and depth, exploring friendship and loss. With emotional performances and a relatable narrative, it promises to resonate with audiences and achieve notable success.
Frankie Regalia's Spinster, performed at the Scottish Storytelling Centre, intertwines humor and history, reflecting on women’s autonomy and craftsmanship. Through engaging storytelling, Regalia captivates audiences with relatable tales while prompting reflection on societal progress and regression.
Rory Cargill's performance, guided by the flamboyant Beau Crème, offers a comedic dive into TV history's parodies. An engaging blend of humor and audience participation makes this show a theatrical must-see at the Edinburgh Fringe.
Mortal Sin, presented by Benjamin Reilly, is a narrative-rich exploration of 1960s rural Ireland through the eyes of friends Colm and Peggy. The performances shine, vividly portraying their struggles against societal norms in a powerful, emotional story.
Binge Culture's immersive show, Werewolf, at Summerhall features audience interaction and a mounting sense of dread. While it skillfully establishes tension, the final reveal slightly undermines its suspense. Overall, it promises an engaging, thrilling experience for horror enthusiasts.
In Other Words, a captivating solo show by Maya Shoham at the Festival Fringe, merges storytelling, spoken word, and humor to explore the complexities of growing up in a multilingual environment. Despite some teething issues, its creativity and engaging performance make it a standout, resonating with universal themes of identity and belonging.
