Created by Hayley Earlam, Brrr will be presented at Edinburgh International Children’s Festival before transferring to the Edinburgh Festival Fringe as part of the Made in Scotland Showcase. If you wouldn’t mind giving us an introduction to yourself, the creatives involved in the show, and the show itself. My name is Hayley Earlam and I’m … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Hayley Earlam, creator of Brrr
Written by Ross MacKay, directed by Joe Douglas and produced by Scottish Theatre Producers, Cringe is presented at Edinburgh International Children’s Festival in association with Imaginate with support from OneRen. If you wouldn’t mind giving us an introduction to yourself, the creatives involved in the show, and the show itself. My name is Ross MacKay, … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Ross Mackay, writer of Cringe
Toto Kerblammo!, directed by Tim Crouch, is an immersive play for ages 10 and up, blending live action and award-winning binaural sound to explore themes of love and despair through the story of a girl and her dog. Audiences don headphones, enhancing the emotional experience as they witness a narrative about hope and healing.
The Bodyguard, an adaptation of the 1992 film, showcases a confident musical theatre experience at the Edinburgh Playhouse. While it prioritizes vocal power and visual spectacle over narrative depth, it captivates audiences with strong performances, especially from Sidonie Smith. Despite some uneven choreography, the production delivers thrilling musical moments and nostalgic engagement.
The Freshwater Five offers a compelling premise with moments of brilliance but suffers from pacing issues and a confusing plot structure. While certain performances, particularly Leigh Kelly's, stand out, directorial choices hinder character clarity. The play showcases innovative writing and staging but requires further refinement for emotional impact and coherence.
Simon Jay's play "Kenmure Street," directed by Nicola McCartney, captures the 2021 protests against unjust immigration policing, highlighting community solidarity through eyewitness accounts and humor, while revitalizing political theatre with engaging staging and diverse characters.
Sunny Afternoon at The Playhouse offers a nostalgic journey through the 60s with vibrant design and engaging performances. While its jukebox biopic structure feels predictable, the infectious energy of the cast and immersive music create a memorable experience for the audience.
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Have a Gander: CATS 2026 Shortlists Reflect a Theatre Scene in Confident Motion
Sunny Afternoon at The Playhouse offers a nostalgic journey through the 60s with vibrant design and engaging performances. While its jukebox biopic structure feels predictable, the infectious energy of the cast and immersive music create a memorable experience for the audience.
