The Fringe’s acrobatic powerhouses The Black Blues Brothers roar back into Edinburgh with their signature blend of rock’n’roll energy, jaw‑dropping stunts and irresistible showmanship. Fresh from global stages and armed with iconic tunes and high‑flying spectacle, they return to McEwan Hall ready to thrill all ages once again. Before they light up the festival, we … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Black Blues Brothers: Let’s Twist Again!
Lewie Watson, who plays Tom and Calvin in My Romantic History, discusses his role in the production, expressing its relatability and humor. He highlights the chemistry with co-star Rebecca Wilkie and the relevance of the script to modern dating. The play balances comedy with vulnerability, exploring themes of love and relationships.
The Lyceum's 2026/27 season emphasizes ambitious storytelling, showcasing classic works reinterpreted through contemporary lenses. Highlights include adaptations like The Prime of Miss Jean Brodie and Mother Courage, alongside musicals like Guys & Dolls. The season aims to engage diverse audiences while balancing cherished traditions with fresh interpretations, reflecting theatre's shared essence.
The Edinburgh Festival Fringe is returning with over 3,000 shows featuring premieres from Scotland and around the world. This year's highlights include a diverse range of theatrical productions addressing contemporary issues. Expect recommendations on theatre, comedy, and more as audiences engage with innovative storytelling that challenges norms and celebrates creativity.
"It Would Be a Shame If You Missed Out," directed by Jetse Batelaan, is a unique, chaotic production at The Traverse Theatre as part of the Edinburgh International Children's Festival. The play humorously explores themes of social exclusion and belonging through the lens of a party-like setting, blending absurdity and poignancy with skillful performances.
Tim Crouch's "Toto Kerblammo!" is an innovative theatre piece at The Studio Theatre that explores the emotional journey of a child, Effy, and her dog amid loss and uncertainty. The production combines minimalistic staging and headphone-aided storytelling to immerse young audiences in a dreamlike narrative, highlighting the bond between Effy and Toto.
Boys Don’t Dance, choreographed by Marc Brew, explores identity through movement, blending personal memory and societal pressure. The performance is marked by dynamic partnerships, innovative choreography, and a commitment to inclusivity, providing a compelling narrative about evolving self-expression.
The review of "In Time," a co-production by Teater Refleksion, highlights its unique focus on patience and subtlety in storytelling. The narrative follows characters A and O as they nurture a plant, symbolizing personal transformation alongside growth. The production excels in crafting an emotional and visually restrained experience, engaging audiences without overt moralizing.
"Cringe," written by Ross MacKay and directed by Joe Douglas, explores the challenges of high school through humor and authenticity. Drawing from personal experience, the play transforms adolescent embarrassment into universal themes of identity and resilience. With strong performances and clever design, it engages both young and older audiences, delivering a powerful message about vulnerability as strength.
Mirkids, performed at The Studio Theatre, captivates young audiences with its innovative choreography and visual storytelling. Featuring eight dancers in a cylindrical structure, the piece invites interpretation through movement and mirrors, encouraging imagination while balancing gentle humor and striking visuals. A unique addition to the Edinburgh International Children's Festival.
