Presented by Belt Of Celt

Review by Judith Neeson

Auditorium at St Bride’s Community Centre

Belt of the Celt returns to the Fringe this year with Edinburgh Days. Set in 19th-century Edinburgh, we are transported back in time with this rock opera written by Brian Spence and directed by Caroline Inglis.

Director Inglis refocuses on the innocent love story and its importance within the plot of Edinburgh Days. Romantically beautiful to watch the young lovers Davy and Catriona’s story unfold. Davy’s confusion as he navigates an unstable upbringing runs parallel to Catriona’s restricted and oppressive childhood, put in place by her minister father. They truly personify the innocence and purity of love’s young dream.

Additionally, “Davy”, both young and old, played by Noah Young and Amelie Livingston, portrays innocence, bringing a balance of vulnerability and grit to the role. Orla Jones quite simply glows inside and out with her portrayal of “Catriona”. Her on-stage chemistry with all other roles is stunning to watch.

The lead role of “MacGregor” is played by Laurence Aitken. He carries the energy of this challenging and misunderstood character all the way through to his bitter conclusion. Aitken’s portrayal is nothing short of brilliant.

Jaydean Cramb is notably a good actress and brings stoicism as a mother and honesty to the character of “Jean”. However, there are moments when her performance at times falls a little flat when in need of an injection of passion. That said, her vocals hold well throughout as she powerfully and effortlessly delivers every solo and duet. Side by side, she and Debbie McKenna, who plays “Mary”, deliver sensational vocals throughout.

The set design is well crafted and familiar, with famous Edinburgh streets created so the audience recognises the Royal Mile and the Grassmarket amidst the signs. Sound and lighting work well to create tension and impactful moments when it matters, and the choreography is sharp and well executed by the dancers. It lands perfectly in the bar scenes, giving the right level of sassiness and fun.

Spence and Inglis have returned to the Fringe with a showstopper of a musical – one not to be missed. Make sure you get along to see it! Musically beautiful. Vocally superb across every role. Powerfully acted.

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