Julia Pascal's play, "The Banality of Evil: Hannah Arendt, France, 1940," explores the overlooked experiences of women in a concentration camp through a compelling ensemble. Though it presents Harsh realities and the quest for dignity amid atrocities, the narrative becomes overly complex, leaving some philosophical themes unresolved. Running at The Coronet Theatre until November 7th.
Katherine Williams' documentary dance-theatre piece, These Are Our Neighbours, reflects on the May 2021 Kenmure Street protest against immigration enforcement. Directed by Ewan Downie, it combines local testimonies and movement to invoke community solidarity amidst anxiety. While uneven in structure, it delivers a powerful reminder of collective resilience against institutional indifference.
Alan Cumming's second season as Artistic Director of Pitlochry Festival Theatre in 2027 promises an exciting array of productions, including classics and new Scottish plays. The season features diverse performances like Alan Ayckbourn’s "Absent Friends," Dolly Parton’s "9 to 5," and the premiere of "Supernova." Enthusiasts can anticipate innovative storytelling and vibrant theater in Scotland’s hills.
Kate Prince's musical "Sylvia" powerfully reinterprets the women's suffrage movement through dynamic choreography and a compelling narrative about the Pankhurst family. Premiering at The Festival Theatre, the production features stunning performances, particularly by Beverley Knight as Emmeline, blending historical context with modern urgency and emotion, leaving a lasting impact on audiences.
Julia Pascal's play, "The Banality of Evil: Hannah Arendt, France, 1940," explores the overlooked experiences of women in a concentration camp through a compelling ensemble. Though it presents Harsh realities and the quest for dignity amid atrocities, the narrative becomes overly complex, leaving some philosophical themes unresolved. Running at The Coronet Theatre until November 7th.
"Jersey Boys" returns to The Edinburgh Playhouse, celebrating Frankie Valli and The Four Seasons’ rise to fame. While the cast's vocal talents shine, the production suffers from a minimalist set and uneven sound balance, hindering emotional depth. Despite these flaws, it remains an enjoyable homage to sixties pop culture.
Two Doors Down Live at OVO Hydro captivates with humor from a quirky group of Glasgow neighbors. The production shines without elaborate sets, relying on sharp writing and a talented cast, including Arabella Weir and Alex Norton. Nostalgic references, character dynamics, and lively music enhance the warm, entertaining experience, earning it five stars.
Vicky Featherstone's adaptation of Muriel Spark's "The Prime of Miss Jean Brodie" at the Royal Lyceum Theatre skillfully reveals the chilling dynamics of a charismatic teacher manipulating her students under the guise of beauty. Gayle Rankin's performance as Brodie and the striking visual design create a haunting exploration of authoritarianism amidst a backdrop of 1930s Scottish classrooms.
Edinburgh University Theatre Company's production of John Logan's "Red," directed by Theodore Casimir-Lambert, showcases the complexities of artist Mark Rothko, powerfully portrayed by Rufus Goodman. The dynamic between Rothko and his assistant Ken, played by Dylan Kaeuper, offers engaging dialogue and emotional depth, though pacing could improve. The technical elements enhance the immersive experience.
In a review of "Waitress" at The King's Theatre, Laurie Kemmett praises the musical's heartfelt story and impressive performances, particularly by Lucie Jones as Jenna. However, she notes outdated stereotypes and issues with the spotlight distracting from the action. Overall, the show offers beautiful vocals but lacks some key elements for a perfect production.
