Written by Nay Dhanak Directed by Ben Standish and Brian Logan Review by Laurie Kemmett ★★★ Hear ye! Hear ye! Plays, pies, and pints abound in Glasgow at lunchtime, and the latest iteration is Nay Dhanak’s Cry/Laugh. A town crier and a court jester find themselves ousted from their jobs, and lacking any sense of purpose they … Continue reading Review: Play, Pie, and a Pint: Cry/Laugh – Òran Mór, Glasgow
Gordon Barr’s adaptation of Shakespeare’s Othello at the Kibble Palace offers a gripping modern critique of institutional tribalism set in a military context. The minimalist staging, coupled with outstanding performances, notably from Adam Donaldson as Iago and Manasa Tagica as Othello, emphasizes the chilling dynamics of manipulation and trust, resonating with contemporary themes.
Marina Funcasta reviews Simon McBurney's performance of Basil Bunting's "Briggflatts," likening it to T.S. Eliot's work. While the production captivates with its modernist themes and engages the audience, it sometimes struggles with pace and deeper exploration of Bunting's darker biographical aspects. Ultimately, the experience highlights Bunting's connection to his audience.
Sharron Devine's "The Only Way Out Is In," showcased at Pitlochry Festival Theatre, invites single participants into an intimate sensory experience. This production artfully combines sound and tactile exploration, fostering deep connections with the self and nature. Despite its brief duration, it prompts reflection on human relationships and vulnerability.
The Table, co-directed by Christine Devaney, Maria Oller, and Jo Timmins, showcases a collaborative fusion of poetry, music, and movement at the Traverse Theatre. This ensemble piece, exploring themes of inclusion and belonging, challenges traditional theatrical norms with its episodic structure. Despite some unevenness, it celebrates diverse voices and experiences, embodying a spirit of accessibility and community.
The Karate Kid: The Musical at The Festival Theatre brings nostalgia and excitement to the iconic story. With solid performances, particularly by Gino Ochello as Daniel and Adrian Pang as Mr. Miyagi, the production offers memorable songs and impressive choreography. While it has some structural flaws, it ultimately delivers a captivating coming-of-age tale.
The Royal Lyceum's "The Lyceum at Home" celebrates community through a series of poignant monologues related to Edinburgh's identity. Directed by Jennifer Fletcher, the performance weaves together hopes and memories, showcasing the essence of human connection. Each narrative, enriched by the cast's performances, highlights the importance of people over places.
The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.
Peter Quilter's musical "Allegra," directed by Stephen Mear and starring Dame Maureen Lipman, blends comedy and drama to explore mental health themes through a protagonist whose eccentricity disrupts her village. Despite its uneven tone and reliance on sentimentality, the production resonates with heartfelt messages about the acceptance of unconventional minds.
Illyria Theatre's adaptation of "The Three Musketeers" at Edinburgh Castle received a five-star review for its captivating performances and innovative staging. The cast excelled in multiple roles, with standout performances from Alex Layfield as D'Artagnan and Christopher Laishley as Athos. The production blended slapstick and drama, creating an engaging theatrical experience.
