Unlike its predecessors in the Twisted Childhood Universe, this film seemed to lack the camp and silliness that comes from making nasty versions of childhood icons. Despite all of this, the Twisted Childhood Universe is still inherently a fun idea and has potential to make creative films, but when it comes to the abysmal portrayal of children in this one, to quote one of the final lines of the film, “Don’t do it again, OK?”
Dovecot Studios’ 2026 season celebrates craftsmanship through two exhibitions: "Elizabeth Blackadder: A Life in Colour" showcasing emotional artistry, and "Costume Couture: Sixty Years of Cosprop" highlighting intricate, wearable period costumes from renowned films. Together, they illustrate dedication to both art and design, enriching the cultural landscape of Edinburgh.
Bard in the Botanics' production of "Emma," directed by Gordon Barr and adapted by Jennifer Dick, offers a lively outdoor rendition filled with humor and charm. The cast, led by Esme Bayley, engages the audience with vibrant performances, despite some pacing issues. Overall, it presents a delightful exploration of romantic misunderstandings amidst a comedic backdrop, suitable for summer enjoyment.
'The Kibble Palace often houses the less family-friendly part of The BITB season. Caged inside its wrought iron, The Duchess of Malfi feels tightly enclosed and charged with menace.' says Dominic Corr ⭐⭐⭐⭐ - The Duchess of Malfi. Runs at The Kibble Palace, Glasgow, until August 1st
Find Your Light Theatre’s production of Everybody's Talking About Jamie delivers a heartfelt story of self-acceptance and dreams, featuring strong performances, particularly from Olly Freeman-Ferguson as Jamie. Despite some rough edges, including clunky transitions and occasional choreography issues, the show captivates with its vibrant energy and impressive technical elements, making for an enjoyable experience.
"I Can Die Too," directed by Bill Buckhurst, mixes musical and dramatic elements to portray Lily, a troubled actress rehearsing for a role. Despite initial disjointedness, the play shines with energetic performances and clever staging. While it offers a fresh perspective on women's narratives, a deeper emotional exploration would enhance its impact.
Happy Sad Productions showcases "Monty Python’s Spamalot" at Portobello Town Hall, delivering a high-energy performance filled with slapstick humor and stellar comedic timing. Standout performances from Stephen Donaldson as King Arthur and Justyne Snyder as the Lady of the Lake highlight the show, despite some sound issues. Overall, the production blends silliness and modern references into a hilarious experience.
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
Bard in the Botanics’ production of Shakespeare’s Twelfth Night, directed by Jennifer Dick, captivates with accessible storytelling set in the Glasgow Botanic Gardens. Highlighted by strong performances, particularly from Rebecca Robin and Lawrence Boothman, the production balances humor and emotional depth, successfully celebrating Shakespeare's timeless themes amidst a vibrant community atmosphere.
The Karate Kid: The Musical at The Festival Theatre brings nostalgia and excitement to the iconic story. With solid performances, particularly by Gino Ochello as Daniel and Adrian Pang as Mr. Miyagi, the production offers memorable songs and impressive choreography. While it has some structural flaws, it ultimately delivers a captivating coming-of-age tale.
