Laurie Kemmett's review of Miss Saigon at the King's Theatre highlights the production's power and emotional depth. While acknowledging the show's controversies, Kemmett praises the outstanding performances and breathtaking set design. The narrative transcends a simple love story, exploring themes of motherhood, resilience, and the bond between the audience and theatre.
The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.
The Edinbards' production of Nottingham, set in the unique Pianodrome venue, creatively adapts the familiar Robin Hood tale with a blend of DND and folk elements. Despite strong performances and captivating visuals, the show struggles with musical coherence and pacing, hindering its overall impact. Nonetheless, it showcases significant potential for future revisions.
The Bodyguard, an adaptation of the 1992 film, showcases a confident musical theatre experience at the Edinburgh Playhouse. While it prioritizes vocal power and visual spectacle over narrative depth, it captivates audiences with strong performances, especially from Sidonie Smith. Despite some uneven choreography, the production delivers thrilling musical moments and nostalgic engagement.
Southern Light Opera's "Guys and Dolls," directed by Andy Johnston, captivates with its charming ensemble performance and standout vocal talent from leads Olivia Hall and Greg McCafferty-Thomson. The ambitious choreography and eye-catching design contribute to a joyous atmosphere, despite some distracting directorial choices. Overall, it's a fun-filled evening at The Festival Theatre.
Co-curated and Directed by Cora Bissett and Hannah Lavery Review by Dominic Corr ★★★★ An international beacon; Scotland’s writing, talent, music, and movement is a world-leader. So too is its sense of justice and inclusive nature. But even so; the swell of the Right is nothing which can be ignored. The National Theatre of Scotland’s … Continue reading Review: The National Theatre of Scotland: May Day – Central Hall, Edinburgh
Book by Cheri Steinkellner and Bill Steinkellner Directed by Taylor Doig Musical Direction by Roisin Caulfield Review by Dominic Corr Broughton High School ★★★★ Raise your voice, grab a cheese-steak, say a few hail-mary’s and get ready to be possessed by a spirit which screams louder than anything else: Soul. And there’s a particular sparkle … Continue reading Review: Forth Children’s Theatre: Sister Act – Broughton High School, Edinburgh
Book by Dean Pitchford and Walter Bobbie Music by Tom Snow Directed by Clare Wotton Review by Laurie Kimmett ★★★★ There is something delightfully rebellious about watching a theatre full of Edinburgh audiences attempt not to dance in their seats, and Footloose at Church Hill Theatre makes that restraint feel like an Olympic sport. Edinburgh … Continue reading Review: Edinburgh Music Theatre’s Footloose – Church Hill Theatre, Edinburgh
The High Life musical revisits beloved Scottish characters with humor and charm, celebrating nostalgia while delivering engaging performances, vibrant staging, and delightful music, ensuring an entertaining experience.
Review by Dominic Corr ★★★★ There’s something remarkably special occurring – while at the same time, something horrific. In the wake of the rolling back of rights, the threat of not just re0emerging barriers, but new ones for Queer communities – art often flourishes as one of the view autonomous spaces left. Some shows arrive … Continue reading Review: Bedrock – Assembly Roxy, Edinburgh
