The musical theatre production "The Trollogy" explores a romance between a Gnome heir and a working-class Troll, challenging societal norms in Gnomeville. With a unique blend of a powerful score and an absurdist script, it showcases local talent and aims to redefine perceptions of Gnomes and Trolls. Performances run from September 18-20.
Tony Roper's revitalized play "The Steamie" at The Dundee Rep captures the essence of 1950s Glasgow, showcasing four working-class women navigating laundry and life during Hogmanay. With a mix of humor and poignant moments, it explores themes of female solidarity, community, and resilience. This enduring Scottish classic remains relevant and captivating.
High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
Harvey Cobb's show, "Pink Boots and an Alcoholic Sock Puppet," blends social awkwardness with unexpected humor at the Edinburgh Fringe. Despite its unstructured moments and unclear themes, Cobb's performance, marked by unique tricks and audience interaction, offers an entertaining experience for those willing to embrace its absurdity.
Richard MacLean Smith's "Unexplained: Live" showcases his storytelling skills from the Unexplained podcast. While engaging and enhanced by live music, the performance feels more like a podcast episode than a theatrical experience, sometimes resembling a lecture. Although good, it may better suit the podcast format.
Steve Burns: Alive is an emotional one-man show that blends comedy and tragedy, reflecting on the complexities of his life as a children's TV host. With a mix of heartfelt stories and humor, Burns reconnects with grown-up fans, addressing mental health and the importance of support, leaving an inspirational message.
"Edinburgh Days," a rock opera set in 19th-century Edinburgh, delivers a powerful story of love, portrayed through stunning performances, effective set design, and captivating music—a must-see at the Fringe.
Arcana, a one-woman production by Fay Guiffo at Assembly Roxy, blends Afrofuturism and classical music, telling the story of a musician in a censorious empire. While the narrative's non-linear structure may obscure its conflict, Guiffo's powerful performance and stunning visuals create a compelling exploration of identity and liberation.
"Moving On: A New Musical" by Happy Sad Productions captivates with its clever writing and humorous ghostly narrative. Following three siblings handling a deceased woman's move, the show blends traditional musical elements with engaging characters and catchy songs. Its success at the Fringe highlights the potential of local independent theatre.
Hudson Hughes’ comedic show "At Your Service" blends humor with supernatural elements following Reverend Derek Gritt’s chaotic funeral oversight. Despite Gritt's lack of heroism, audience engagement thrives through clever technical effects and seamless flow. Hughes' commitment to absurdity ensures a captivating performance, earning a five-star review for its entertainingly bizarre nature.
