Hudson Hughes’ comedic show "At Your Service" blends humor with supernatural elements following Reverend Derek Gritt’s chaotic funeral oversight. Despite Gritt's lack of heroism, audience engagement thrives through clever technical effects and seamless flow. Hughes' commitment to absurdity ensures a captivating performance, earning a five-star review for its entertainingly bizarre nature.
In "Mrs Armitage on Wheels," director Samantha Lane presents a vibrant musical adaptation of Quentin Blake's work. The story follows an eccentric tinkerer and her dog on a whimsical adventure filled with community spirit and inventive gadgets. With lively performances and a captivating set, it enchants audiences, celebrating creativity and the joy of helping others.
Flabbergast Theatre’s staging of Samuel Beckett's classic delivers a physical interpretation of "Endgame." Henry Maynard’s powerful performance as Hamm and Simon Gleave’s dynamic Clov bring humor to the existential despair. The production, though demanding and lengthy, showcases remarkable performances that challenge and reward attentive audiences. It’s a bold revival of a masterpiece.
Sarah Hester Ross captivates audiences at The Den with her explosive performance blending vintage glam and fierce comedy. With an impressive vocal range and provocative humor, she addresses themes of misogyny and female empowerment. Ross's show, "Serving C*nt," delivers a dynamic mix of hilarity and heartfelt commentary, earning rave reviews.
Flabbergast Theatre’s staging of Samuel Beckett's classic delivers a physical interpretation of "Endgame." Henry Maynard’s powerful performance as Hamm and Simon Gleave’s dynamic Clov bring humor to the existential despair. The production, though demanding and lengthy, showcases remarkable performances that challenge and reward attentive audiences. It’s a bold revival of a masterpiece.
The review by Hunter King appreciates Sound Events Scotland's production of Avenue Q at the Wine Bar at Gilded Balloon Teviot. The show combines humor from South Park and life lessons from Sesame Street, showcasing strong vocal performances despite some cast imbalances. Certain jokes resonate in 2026, while others, particularly regarding the character Christmas Eve, raise concerns. Overall, the performance remains enjoyable.
Acid's Reign, produced by Relish Theatre, is a vibrant drag musical that merges 1970s queer performance with modern political themes. Centered on an activist collective, it features standout performances, particularly from Victoria Scone. Despite slight pacing issues, its powerful script and dazzling production make it a must-see festival highlight.
Arthur Hull's show "Flop! : The Best Songs From The Worst Musicals" explores hidden gems within musical flops, showcasing songs from failed productions. A captivating performer, Hull delivers entertaining renditions, often surpassing the originals. With humor and vocal prowess, he transforms perceived failures into a lively theatrical experience, proving the show's title misleading.
Captivate Theatre’s revival of Come From Away at the Assembly Rooms is a heartfelt portrayal of the kindness shown by Gander, Newfoundland residents to stranded travelers after 9/11. While the performances are strong, particularly Lucy Pedersen's accent coaching, sound mixing issues detracted from the experience. Overall, it’s a compelling, emotional show.
Dik Downey's one-man adaptation of Don Quixote, performed at Pleasance Dome, creatively combines puppetry and prop comedy. After donning a suit of armor purchased online, Downey engages with the audience while delivering a humorous retelling of Cervantes' classic. The show promises immense entertainment, even for those unfamiliar with the story.
