Belgium’s Theatre4mains presented "Cheeky Zippy Violette" at the Scottish Storytelling Centre, skillfully performed by Gwladys Lefeuvre. The show entertains children while addressing themes of death and loss through playful storytelling. Lefeuvre's whimsical character and engaging interactions make for a captivating and memorable theater experience for young audiences.
"Everything/Nothing," performed by Alexis Rouvre at the Traverse Theatre, is a captivating family show that blends physical whimsy and impressive technical effects. Despite its marketing for younger audiences, some aspects may overwhelm sensitive viewers. Overall, Rouvre's masterful performance leaves a lasting impression, making it enjoyable for all ages.
The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.
The Edinbards' production of Nottingham, set in the unique Pianodrome venue, creatively adapts the familiar Robin Hood tale with a blend of DND and folk elements. Despite strong performances and captivating visuals, the show struggles with musical coherence and pacing, hindering its overall impact. Nonetheless, it showcases significant potential for future revisions.
The Bodyguard, an adaptation of the 1992 film, showcases a confident musical theatre experience at the Edinburgh Playhouse. While it prioritizes vocal power and visual spectacle over narrative depth, it captivates audiences with strong performances, especially from Sidonie Smith. Despite some uneven choreography, the production delivers thrilling musical moments and nostalgic engagement.
Walking on Eggshells, directed by Becky Hope-Palmer, creatively explores trauma and recovery from abuse through vibrant cabaret elements. Emma Lynne Harley delivers a heartfelt performance that engages with difficult themes while ensuring accessibility and communal involvement.
Southern Light Opera's "Guys and Dolls," directed by Andy Johnston, captivates with its charming ensemble performance and standout vocal talent from leads Olivia Hall and Greg McCafferty-Thomson. The ambitious choreography and eye-catching design contribute to a joyous atmosphere, despite some distracting directorial choices. Overall, it's a fun-filled evening at The Festival Theatre.
'It’s a beautiful show, about the beautiful game; a proper belter of a night, and one which turns those jaded memories into something special.' Black Diamonds and the Blue Brazil runs at The Lyceum, Edinburgh until May 23rd
Co-curated and Directed by Cora Bissett and Hannah Lavery Review by Dominic Corr ★★★★ An international beacon; Scotland’s writing, talent, music, and movement is a world-leader. So too is its sense of justice and inclusive nature. But even so; the swell of the Right is nothing which can be ignored. The National Theatre of Scotland’s … Continue reading Review: The National Theatre of Scotland: May Day – Central Hall, Edinburgh
https://www.flickr.com/photos/204241173@N04/55112398158/in/dateposted-public/ Conducted by Stuart Stratford Directed by Satoshi Miyagi Review by Eloise Robertson ★★★ Dai Fujikura and Harry Ross’ latest offering, The Great Wave, showcases a segment of Katsushika Hokusai’s life beautifully, with an eventful score and some fascinating aesthetic choices. These were almost sufficient to disguise the unfocused storyline, which became apparent when the … Continue reading Review: Scottish Opera: The Great Wave – The Festival Theatre, Edinburgh
