The List Festival Awards return to Edinburgh on August 28, 2026, celebrating diverse artistic talents while offering cash prizes. CEO Sheri Friers emphasizes supporting artists amid challenges, helping foster their growth within the vibrant festival environment.
Magnetic North, returns to the Edinburgh Festival Fringe with "We Will Hear the Angels" from August 7-30, 2026. The production explores melancholy through music and movement, featuring five actor-musicians. The show encourages audience connection and reflection on emotion, aiming for an immersive experience amidst the festival atmosphere.
Bucksomly Betrothals is a comedic play centered on Alan Rivers, a former bowling champion seeking love amid chaos. Featuring a quirky narrative and a vibrant creative team, the show promises laughter and heartwarming moments. Set at the Fringe, it aims to inspire hope, showcasing the resilience of its flawed protagonist.
"Maiden | Mother | Whore" at Fringe 2026, combines South Asian classical-contemporary dance, spoken word, and projections. This interdisciplinary performance, developed with University of Edinburgh researchers, fosters dialogue on gender and power, encouraging audiences to reflect on identities and societal structures without providing straightforward answers.
hame. teeth. CLUB. follows Morgan, a hedonistic party girl who’s chaotic antics come to a halt following a sexual assault that forces her to renavigate her life. hame. teeth. CLUB. tackles how communities talk about and treat survivors of assault, and just how much complicity plays a part in not supporting victims. #HaveAGander at hame.teeth.CLUB
'Meet Mayor Max' is a documentary-theatre show by Alex Robins, centering on a dog that became the mayor of an Idyllwild, California town. It explores themes of community, healing, and unconditional love, aiming to inspire audiences and provoke a renewed sense of purpose. This is Robins' first solo performance at the Fringe.
"How Not to Make it in America" is a one-man show featuring James Smith, who plays 28 characters, exploring the challenges of a naive Australian actor trying to succeed in New York before 9/11. Inspired by playwright Emily Steele's own experiences, the production highlights resilience and delusion in pursuing dreams amid unforeseen obstacles.
"Antigone 1989: A Town Hall Musical" reimagines Sophocles's tragedy in a contemporary California setting, engaging audiences in a political crisis. Featuring a vibrant score and interactive town hall format, the production emphasizes themes of human need, collective action, and advocacy, aiming to provoke thought on community involvement and personal freedoms.
Furniture Boys is a multidisciplinary show by Emily Weitzman, blending comedy, clowning, and spoken word to explore the absurdity of relationships through furniture. The performance examines themes of impermanence and artistic expression, transforming ex-boyfriends into furnishings. With a sold-out run off-Broadway and a return to Edinburgh Fringe, its unique perspective captivates diverse audiences.
I AM JOHNNY features Tessa Parr's striking solo performance, blending surreal humor with critiques of masculinity. The show follows Johnny, a flawed character exploring his identity through spoken-word poetry. With a collaborative artistic journey since 2011, Parr emphasizes body politics and invites diverse audiences to engage with the complex narrative.
