This dark comedy explores the relationship between Susan, a grieving widow, and Teo, an immortal AI, as they navigate themes of love, grief, and spirituality. Originating from real conversations, the play challenges perceptions of connection in a digital age, prompting audiences to reflect on emotional intimacy and the complexities of human relationships.
The Bob Ross Effect is a theatrical celebration of kindness and creativity, showcasing a woman's journey as a carer while balancing her chaotic life. With a dynamic mix of spoken word, music, and live art, the performance invites audiences to engage and feel inspired. It reflects the importance of community and artistic expression at the Fringe.
Book of Shadows is a dark comedy featuring teenage skeptic Vi and her mystic grandmother as they explore cults and missing friends using shadow puppetry. The show blends humor and mystery, aiming to empower audiences while providing a unique theatrical experience.
The play "SHINJUKU" explores the challenges of modern motherhood through Abby, a single mother confronting accusations that her son is influenced by misogynistic ideologies. With rich character development and a focus on societal pressures, it prompts audiences to question gender dynamics and the impact of the manosphere, sparking vital discussions.
Book of Shadows is a dark comedy featuring teenage skeptic Vi and her mystic grandmother as they explore cults and missing friends using shadow puppetry. The show blends humor and mystery, aiming to empower audiences while providing a unique theatrical experience.
Oil and Whiskey arrives at the Fringe with New York swagger, blending country‑rock storytelling and off‑Broadway charm in a breakup musical that’s equal parts heartache and humour. As two former lovers retrace their relationship over a few too many whiskies, the show — composed by Nashville’s Kit Nolan — turns romantic misadventure into a free, … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Oil & Whiskey
Dreambite Collective return with a sharp new queer romcom, following a dancer and a climate activist whose holiday fling on a Mediterranean cruise unravels when they discover they’re dating the same person. As sparks turn to sabotage and the pair target the ship’s environmental impact. Playwright Katrina Bennett has a chat with the team to … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Cruising
The Fringe’s acrobatic powerhouses The Black Blues Brothers roar back into Edinburgh with their signature blend of rock’n’roll energy, jaw‑dropping stunts and irresistible showmanship. Fresh from global stages and armed with iconic tunes and high‑flying spectacle, they return to McEwan Hall ready to thrill all ages once again. Before they light up the festival, we … Continue reading Have a Gander at The Edinburgh Festival Fringe 2026 – Black Blues Brothers: Let’s Twist Again!
Lewie Watson, who plays Tom and Calvin in My Romantic History, discusses his role in the production, expressing its relatability and humor. He highlights the chemistry with co-star Rebecca Wilkie and the relevance of the script to modern dating. The play balances comedy with vulnerability, exploring themes of love and relationships.
Two men need to look after a tiny seed; it is their job to nurture this small life and help it blossom. But as every new parent knows, this is no easy task.Co-produced with Catherine Wheels, in association with Randers Teater, In Time is a playful, gentle, and highly visual show that, through humour and absurdist touches, … Continue reading Have a Gander at The Edinburgh International Children’s Festival – A Chat with Andy Manley, co-creator of In Time with Teater Refleksion, and De Røde Heste
