Dive into a magical world where dreams and reality blur in a breathtaking fusion of bubble magic and aerial flight. Maxwell the Bubbleologist soars above the stage, creating millions of shimmering bubbles with every leap and twirl. This dazzling spectacle captivates children and adults alike, with interactive moments, joyous laughter and awe-inspiring visuals. It’s the perfect family outing – playful, poetic and filled with wonder. After the show, the enchantment continues as children chase and pop bubbles outside, carrying the magic into the air. A heart-opening experience that will leave audiences smiling long after.

Maxwell the Bubbleologist was kind enough to set some time aside to speak with the team about their return to the Fringe

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Would you mind giving us a brief insight into what your show/event/performance is?

The Flying Bubble Show does exactly what it says on the tin: I fly through the air and make bubbles. But really, it’s a lot more than that. It’s a dreamlike fusion of bubble artistry and aerial acrobatics, powered by a counterweight flying system. The performance explores the theme of dreams and the courage it takes to follow them — all through a surreal, visual journey. It mirrors my own story of stumbling upon soap bubbles and somehow building an entire life out of them. It’s light, it’s poetic, and it leaves people a little bit lifted.

Tell us about the creative team and the process involved?

There are two of us: myself and my counterweight and aerial rigger, Rufus Corvino. While I take the lead on directing, music, props, and performance, Rufus is much more than just the counterweight — he’s a vital creative collaborator. Together, we choreograph the show by fusing our distinct skillsets: my movement background and visual imagination, with his experience in rigging, balance, and physical theatre. It’s a constant conversation between weight and lift, tension and flow.

The creation process involves building strange, custom bubble props, testing aerial ideas, and scoring the piece with airy, immersive soundscapes. I create visually — I often see scenes in my mind long before they exist. The challenge (and joy) is translating those wild bubble visions into something real that we can both perform and share.

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How does it feel coming to the Fringe?

I’m buzzing. There’s nothing like seeing the thing you’ve toiled over for months (or years) come together and be met by live audiences. But Fringe is more than just showcasing your work — it’s a glorious convergence of artists from every genre, every background, all sharing one massive creative heartbeat. There’s electricity in the air. It’s a place where consciousness and expression get to dance wildly with each other.

With shows from all over the world at the Fringe, what sets yours apart?

Well, we’re the only flying bubble show — and that’s a pretty good start. But beyond the spectacle, there’s a deep sincerity to it. This isn’t just visual trickery — it’s physical poetry. Technically, it blends aerial choreography with bespoke bubble props, built from scratch to do things that most people don’t think bubbles can do. Emotionally, it taps into awe. It invites both the young and the jaded to pause, feel, and float a little. It’s strange, uplifting, and surprisingly soulful — and it’s like nothing else you’ll see on the Fringe.

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Is there anything specific you’re hoping the audience will take away?

For me, the best result is when a child and a parent both walk away glowing — because they’ve just shared something magical together. That moment of bonding, of being swept up by the same sense of wonder, is the heart of the whole show.

Beyond that, the show is full of what I call bubblosophy — a quiet philosophy about following your spark, your weird curiosity, your impractical passion. It’s about embracing failure, being playful in the face of difficulty, and not being afraid to build a dream out of soap. If the audience leaves feeling more alive, more connected, and a little more open to wonder — then I’ve done my job.

Your Ideal audience is in attendance, who’s watching? Or more importantly – who isn’t…?

Everyone’s welcome — that’s the beauty of bubbles. But the show is especially powerful for someone who feels stuck in their head. Maybe they’ve been carrying the weight of the news, of global uncertainty, or just the repetitive noise of life. If I can give that person a moment where all of that melts away — where they remember that the world is magic — then that moment might just shift something.

It doesn’t fix everything, of course. But it can crack the shell. It can wake up the inner child and let it dance a little. And that, even for a second, can help someone go back into the world a little lighter, a little softer, a little more ready.

It’s an intense month, so where you’re able, how do you plan to relax, and are there any other shows you intend to see or want to recommend?

Resting at Fringe is tricky — but essential. I stretch, I breathe, I get outside of the city when I can and reset in nature. I try to eat properly, hydrate, and keep my body ready for the physical demands of the show. It’s not about sacred rituals — it’s about staying sane and strong so I can give my best each day.

And in the downtime, I absolutely love watching other shows — especially circus, kids’ theatre, improv, comedy, and street performances. There’s so much raw talent on the pavements of Edinburgh. It keeps me inspired.

In your ideal world, how can we improve the Fringe, performance, and the industry?

Build a bubble theatre. A venue designed specifically for bubble artistry — with humidifiers, non-slip floors, great wind control, and lighting that makes soap shimmer like stardust. A space where bubble artists from around the world can truly shine. That would elevate the art form and create something extraordinary.

As for improving the Fringe? Honestly, I don’t know about improvements — it’s already a chaotic miracle. But I do think it needs more bubbles.

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Interested in being featured on our Have a Gander page? With many previews and Q&As lined up, we’re always happy to chat about including your show in future articles. Please do get in touch through the contact page to feature in an upcoming ‘Have A Gander’