Boys Don’t Dance, choreographed by Marc Brew, explores identity through movement, blending personal memory and societal pressure. The performance is marked by dynamic partnerships, innovative choreography, and a commitment to inclusivity, providing a compelling narrative about evolving self-expression.
The review of "In Time," a co-production by Teater Refleksion, highlights its unique focus on patience and subtlety in storytelling. The narrative follows characters A and O as they nurture a plant, symbolizing personal transformation alongside growth. The production excels in crafting an emotional and visually restrained experience, engaging audiences without overt moralizing.
"Cringe," written by Ross MacKay and directed by Joe Douglas, explores the challenges of high school through humor and authenticity. Drawing from personal experience, the play transforms adolescent embarrassment into universal themes of identity and resilience. With strong performances and clever design, it engages both young and older audiences, delivering a powerful message about vulnerability as strength.
Walking on Eggshells, directed by Becky Hope-Palmer, creatively explores trauma and recovery from abuse through vibrant cabaret elements. Emma Lynne Harley delivers a heartfelt performance that engages with difficult themes while ensuring accessibility and communal involvement.
Co-curated and Directed by Cora Bissett and Hannah Lavery Review by Dominic Corr ★★★★ An international beacon; Scotland’s writing, talent, music, and movement is a world-leader. So too is its sense of justice and inclusive nature. But even so; the swell of the Right is nothing which can be ignored. The National Theatre of Scotland’s … Continue reading Review: The National Theatre of Scotland: May Day – Central Hall, Edinburgh
Review by Laurie Kemmett ★★★ Nobody likes a funeral. Even when the deceased isn’t someone you know well. This fact doesn’t change even when you don’t know the person at all - and when the person isn’t a person but a British supermarket of the 2000’s. Enter Paul Campbell and his eulogy for Somerfield. If like, the … Continue reading Review: Paul Campbell: The Lost Tapes of Somerfield, Glasgow Comedy Festival
Auntie Empire storms into Manipulate with Disaster Plan’s trademark blend of bouffon clowning, dark satire, and political bite. Led by Julia Taudevin and Kieran Hurley, the show casts Taudevin as a decaying, delusional Britannia figure inviting her “family” to revel in imperial nostalgia while confronting a far grimmer truth. Evolving through earlier versions as live‑gore cabaret, … Continue reading Have a Gander at Auntie Empire – Manipulate 2026
Running from January 20th - 24th, the Edinburgh Universe Savoy Opera Group’s production of Into The Woods brings Stephen Sondheim and James Lapine’s beloved fairy-tale musical to life at Church Hill Theatre in Edinburgh this January. Featuring classic characters like Cinderella, Little Red Riding Hood, Jack and Rapunzel, the show asks what happens after the … Continue reading Have a Gander at EUSOG’S Into The Woods with the Cast and Crew
Home For Christmas: Edinburgh Panto’s Past, Present And (The King’s Theatre) Future As Edinburgh prepares for the long‑awaited return of its panto to the King’s Theatre, Dominic Corr sat down with Allan Stewart, Grant Stott and Jordan Young to reflect on a tradition that has shaped their careers and captivated generations. From the Festival Theatre’s … Continue reading Have a Gander at Pantomime 2025: Jack and the Beanstalk with Allan Stewart, Grant Stott and Jordan Young
Alan Cumming: The Disruptor in the Hills Fully aware of the task ahead, and the challenges of funding, identity, and taking over at Pitlochry Festival Theatre, Dominic Corr speaks to the new Artistic Director about ambition, Scottishness, and the joy of a very large foyer filled with friends. The Zoom window flickers to life—predictably, stubbornly—and … Continue reading Have a Gander at Pitlochry 2026; A Chat with Alan Cumming
