
Review by Dominic Corr
Assembly George Square Studios: Tickets
You’ll not often find yourself in the max-security wing of a Superdrug on a Sunday afternoon. Well, maybe you do. Holly Stars certainly does. Audiences join the comic and writer right after she’s been nabbed for nicking a load of lipsticks, and her usual tricks aren’t going to get them out of this one. Helping themselves to the staff biscuit tin and copies of Take a Break, Stars shares with audiences just how she ended up in this mess and how there’s more to a petty crime than meets the eyeliner.
A story without shame (brilliantly) makes up Justice for Holly – both in their experiences with a bit of shoplifting and their experiences growing up in the North of England. A mixture of storytelling and traditional stand-up, it’s an easy-going show which doesn’t fling or catapult the audience around, a refreshing pace for those tired of the jam-packed mile-a-minute energy of other stand-up routines. It enables Stars to take stories down longer paths, source out better punchlines, and deviate if there’s a rumbling that the audience enjoys a particular set-up or isn’t quite following.
Anyone acquainted with Stars’ written work, Death Drop or A Christmas Carole, will recognise that Stars’Stars’ delivery style is as deadpan as their scripting. For some audiences, it would be easy to mistake this for a lack of energy, especially as some anecdotes and stories wander through some unnecessary aisles to browse for additional gags. Aside from that, audiences’ callbacks and the shade of matter-of-fact all strike at a very UK-centric charm and delivery and mean that the occasional dip into dark humour hits the mark and soars without feeling too left-field.
A story of survival and shoplifting, Stars’ story is less a redemption arc and more a celebration of petty crimes, of taking the smaller victories where you can – and never trusting Posh Sue. It’s cathartic in a peculiar way, where humour brings the audience together rather than separates them with berating gags or endless punchlines that litter the floor. The stripped-back stories and more “mundane” set-up mean that Justice for Holly is far more relatable than most stand-up routines, nostalgic and unexpectedly comforting.

Review by Dominic Corr (contact@corrblimey.uk)
Editor for Corr Blimey, and a freelance critic for Scottish publications, Dominic has been writing freelance for several established and respected publications such as BBC Radio Scotland, The List, The Skinny, Edinburgh Festival Magazine, The Reviews Hub, In Their Own League, and The Wee Review. As of 2023, he is a member of the Critic’s Award for Theatre Scotland (CATS) and a member of the UK Film Critics.

