Man to Man, directed by Stephen Unwin and starring Tilda Swinton, presents a chilling exploration of gender, authoritarianism, and historical trauma in 1930s Germany. The production, characterized by stark visuals and a haunting soundscape, offers a profound commentary on modern political issues while showcasing Swinton's transformative performance. It runs at the Traverse Theatre until November 7.
Tag: Traverse Theatre
Review: Edinburgh University Theatre Company: After The Ball – Bedlam Theatre, Edinburgh
Benjamin Freckelton’s adaptation of Tolstoy’s "After The Ball" at Bedlam Theatre immerses audiences in a captivating exploration of class and systemic violence, set in 1940s England. While visually striking, the script occasionally falters with heavy exposition. Engaging performances and innovative staging ultimately overshadow its dialogue shortcomings, prompting reflection on societal suffering.
Review: Thrice – The Traverse Theatre, Edinburgh
Al Seed and Judith Milligan's "Thrice" reimagines Shakespeare’s Macbeth with nine performers, transforming the iconic witches into a tragic chorus of survivors. The visually striking production, enhanced by Lina Limosani’s choreography and Guy Veale’s sound design, explores themes of grief and resilience in a haunting post-tragedy landscape, running until October 24 at The Traverse Theatre.
Review: Balisong – The Traverse Theatre, Edinburgh
"Balisong," written by Jennifer Adam and directed by Steve Small, explores youth knife crime through the story of Findlay Richards, conveyed by his friends. The play's strong performances and minimalist design effectively highlight its important message about recognizing and preventing knife crime, making it a vital contemporary piece for young audiences.
Have A Gander at The Edinburgh Festival Fringe 2026 – The Golden Goose Awards
Vampires, The First Woman President, ceilidhs, Queer art, and plenty of serving, let's #HaveAGander at the team's Top of The Flock awards for The Edinburgh Festival Fringe, 2026.
Edinburgh Festival Fringe 2026 Review: After Party – Traverse 1, Traverse Theatre
After Party, despite its ambitious setup and strong cast, fails to deliver a coherent narrative, resulting in a chaotic theatrical experience lacking emotional depth.
Edinburgh Festival Fringe 2026 Review: The Singer – Traverse 1, Traverse Theatre
The Singer, a groundbreaking musical directed by Cora Bissett and featuring KT Tunstall's music, explores artistic collaboration and inclusion through a Deaf and hearing artist's journey, redefining theatrical boundaries.
Edinburgh Festival Fringe 2026 Review: Cathy – Traverse 1, Traverse Theatre
Ivo Müller’s Fringe debut, One Million Words, explores Rainer Maria Rilke’s existential poetry and letters, engaging audiences through a philosophical lens. While the show may feel slow for some, Müller’s compelling performance fosters a deep emotional connection. It offers introspection and wisdom for those seeking understanding of themselves and the world.
Edinburgh Festival Fringe 2026 Review: Supposing – Traverse 2, Traverse Theatre
Zinnie Harris' "Supposing," featuring Nicole Cooper, explores contemporary Scottish drama through a Greek-inspired lens. The play addresses themes of political hostility and women's credibility, blending realism with profound emotional depth.
Edinburgh Festival Fringe 2026 Review: Water Colour – Traverse 2, Traverse Theatre
Ivo Müller’s Fringe debut, One Million Words, explores Rainer Maria Rilke’s existential poetry and letters, engaging audiences through a philosophical lens. While the show may feel slow for some, Müller’s compelling performance fosters a deep emotional connection. It offers introspection and wisdom for those seeking understanding of themselves and the world.
