
Book by Thomas Meehan
Music by Charles Strouse – Lyrics by Martin Charnin
Directed by Nikolai Foster

Little orphan Annie, the tale of a scrappy, fiercely independent red-head orphan, is a cornerstone of musical theatre. Lyrical, quotable and determined to put a smile on your face, the production resumes touring with a thoroughly talented cast. Escaping the spiteful gaze of Miss Hannigan, Annie sees the gritty truth of the Big Apple. Encountering a few friends along the way, in high places, and one with excess fur, Annie finds herself being taken in by billionaire Warbucks.
Usually, politeness is on hand for younger performers in the role of Annie or fellow orphans. No such modesty is needed, however, as making her professional debut, Ava Smith isn’t emulating Annie – she is Annie. Snarky, friendly yet sharp in delivery, Smith is a firecracker who can belt out the big notes, holding clarity as well as our attention. At first, Smith’s Annie feels older, but she’s portraying a young girl puffing out her feathers to intimidate the world, capturing that brazen young American, hiding a vulnerable young girl.
‘We love you Miss Hannigan’, words these unfortunate orphans must recite to the drunkard who is now their carer. Lesley Joseph is certainly a Miss Hannigan to fall for. She doesn’t quite have the fangs others have given the role, Joseph instead provides her honed comedic talents. Exaggeration is everything, Joseph is a veteran of comedy, knowing where to toe the line between over the top, and accessible. From the glugs of her ‘medicine’ to the slight wobble in her movement, she somehow offers a subtlety to a role which is dangerously easy to overplay. Vocally, her numbers reserve themselves for humour and characterisation, delivering a spit-fuelled Little Girls.

Something is fascinating with the music of Annie, beloved staples of the industry; chiefly Tomorrow and It’s a Hard Knock Life, reliving these live on stage is a wholly distinctive experience. These charming ditties – known to most, transform, proving that no matter how superior a cast recording is, nothing can eclipse a live performance. Nothing can capture the expressive nostalgia of N.Y.C quite like a performer’s smile, and certainly, nothing can come close to capturing the antics of Easy Street.
Rooster by name, Rooster by nature – Richard Meek has them snakes hips we envy, strutting around like any rooster in the hen-house. Easy Street casually strolls to the forefront of our enjoyment, firmly planting itself as a favourite. Choreographer Nick Winston, with reinforcement from dance captain Amy West, maintains an upbeat presence throughout Annie. Excelling at this, giving a huge boost to the character, Meek captures the spirit of Rooster, erratic, impulsive and unpredictable.
Framing these larger than life characters is no easy feat, one Colin Richmond readily prepares for. Setting the production in an emerald tinted homage to Rob Howell’s Matilda design, Richmond works in tandem with Ben Cracknell to provide a vibrancy which manages to illuminate the theatre, from the barrel fires of Hooverville to the glitz, gold and shine of Warbucks mansion.
Bringing the ol’ razzamatazz, Daddy Warbucks himself, Alex Bourne captures an inherent art of classical musical theatre. His performance is paternal, selling the character as a loving father as easily as the businessman. Between his warming chemistry with Smith, the presence of four-footed diva Amber the dog and a wealth of talented young women as Annie’s fellow orphans. It’s a production which goes beyond expectations.
It can be a hard knock life these days, Annie is pure escapism, it’s comforting theatre, welcoming to all with a timeless charm. An already tried and tested piece, what this recent touring does is capitalise on a strong cast who look, act and feel the part. Take a few hours out of the day, breath in that rich, city air and re-live the thriving bundle of playfulness that is Annie.
Production runs at The Edinburgh Playhouse until Saturday October 5th. Tickets available from: https://www.atgtickets.com/shows/annie/edinburgh-playhouse/