Review by Libbi Hutton Summerhall - Dissection Room ★★★★★ ‘Pussy Riot was never a punk band’ states Alexander Cheparukhin, producer of the show. I am standing in a crowded audience on the final night of an 11-day run, preparing myself for what I’ve heard to be a “confrontational” and “essential” show. Maria (Masha) Alyochina of … Continue reading Review: Edinburgh Festival Fringe 2025 – Pussy Riot: Riot Days
https://youtu.be/MHuEgoajSSA Written and Directed by María García Pleasance at EICC ★★★★★ “In every new beginning there is magic” Suzanna Rosenthal Productions presents LOLA: A Flamenco Love Story. Stepping into LOLA: A Flamenco Love Story is like being wrapped in a swirl of rhythms, vivid emotion and devotion to the Spanish culture. From the very first … Continue reading Review: Edinburgh Festival Fringe 2025 – LOLA: A Flamenco Love Story
Directed, Designed, and Animated by William Kentridge Translated by Robert David Macdonald Review by Dominic Corr The Lyceum Theatre ★★★★ Thirty years after its original incarnation, Faustus in Africa returns with a vengeance—reimagined, recontextualised, and still brimming with theatrical bite. Directed by William Kentridge and brought to life by the legendary Handspring Puppet Company, this … Continue reading Review: Edinburgh International Festival 2025 – Faustus in Africa!
Review by Marina Funcasta Monkey Barrel Comedy ★★★ Soresi is a daring performer: waltzing onto the stage, facing nearly a hundred nodding heads sipping from their plastic pint cups, his charisma wins us over almost immediately. To be sure, his consecutive sell-out shows are evidence enough of his success. Whether this energy is maintained throughout, … Continue reading Review: Edinburgh Festival Fringe 2025 – Gianmarco Soresi: The Drama King Tour
Review by Marina Funcasta theSpace@Surgeon's Hall ★★★ From Jonny Woo to Tom at the Farm, the abundance of coming-of-age/coming-out content this Fringe Festival has been truly remarkable. All tales are bittersweet, but the conversation seems to be expanding. At least in the theatre world. This is of course a wonderful move forward. And Michael DeBartolo’s … Continue reading Review: Edinburgh Festival Fringe 2025 – Tell Me Where Home Is (I’m Starting to Forget)
Review by Marina Funcasta Scottish Storytelling Centre ★★★★ Brooke Dunbar sets herself no easy project: notoriously tragic, the story of Macbeth is a hard one to tell without falling into ominous supernatural pot holes. One of Shakespeare’s heavier tragedies, this cautionary tale is usually met with tears and gasps. In Dunbar’s case, however, the gasps … Continue reading Review: Edinburgh Festival Fringe 2025 – Macbeth for Bairns
https://youtu.be/I2Qpl2FxUD8 Written by Michel Marc Bouchard Adapted by Armando Babaioff Review by Marina Funcasta Pleasance at EICC ★★★★★ Armando Babaioff’s adaptation of Michael Marc Bouchard’s 2013 play Tom at the Farm comes to the Fringe Festival with not much to prove. Winner of several international awards since its first adaptation in 2017, Babaioff’s translation of … Continue reading Review: Edinburgh Festival Fringe 2025 – Tom at the Farm
Written by Hannah Caplan Directed by Douglas Clarke-Wood Review by Marina Funcasta Summerhall - Former Women's Locker Room ★★★★★ Leaving Hannah Caplan’s debut play ‘This is not about me’, I struggled to admit that it really wasn’t. That is, about me. Tying together some classic thematic threads of the coming-of-age genre, the relatability and insight … Continue reading Review: Edinburgh Festival Fringe 2025 – This Is Not About Me
Review by Mhairi Sime Pleasance Courtyard ★★★★ Arrive at the Edinburgh Fringe's Pleasance Courtyard expecting cheeky reflections on lad culture and you get so much more. Chloe Petts: Big Naturals is a laugh-loaded hour that is as sharp as it is warm. Join Chloe Petts on the hunt for a new role model as they … Continue reading Review: Edinburgh Festival Fringe 2025 – Chloe Petts: Big Naturals
Review by Marina Funcasta Summerhall - Techcube ★★★★ Biopics being all the rage, MILES. is an unsurprising addition to the Fringe programme. Concerning itself with the man behind the music, Oliver Kaderbhai’s script exposes this legend for all shades of his, very fallible, character. Embodied brilliantly by twenty-one-year-old Benjamin Akintuyosi, it is hard to leave … Continue reading Review: Edinburgh Festival Fringe 2025 – MILES.
