Created by Richard O’Brien
Directed by Christopher Luscombe
Review by Dominic Corr
Time may be fleeting, but some classics remain a celebration of queer culture, camp, and chaos. Edinburgh Playhouse welcomed back the cult phenomenon The Rocky Horror Show this week, and it’s clear why this musical remains a beloved staple of theatre. From the opening notes of the iconic “Science Fiction Double Feature,” the production bursts with energy, inviting audiences into a world of gothic glamour and unapologetic fun.
Wearing its heart on its sleeve(less) corset and packing plenty of iconic moments from musical theatre’s seedy underbelly (and a love-letter to the schlockiest of cinema), Richard O’Brien’s masterpiece of science fiction trembles the unworthy, and welcomes the lords and ramble with equal measure. Pioneered by Tim Curry, Jason Donovan’s return as the delectable Dr. Frank N Furter is a major draw, and while his interpretation leans more toward cheeky theatricality than raw sensuality, though some moments catapult in the other direction – sinful to the most seductive. Donovan commands the stage with charisma. His performance of “I’m Going Home” conjures some emotional grit and still resonates with sincerity, offering a poignant moment amid the chaos.
The supporting cast shines throughout. Haley Flaherty brings a nuanced Janet, balancing innocence with growing confidence, while James Bisp’s Brad complements her perfectly, their chemistry evident in tender duets like “There’s A Light.” In true fashion, the stars of the ensemble are the castle’s staff’, Laura Bird as Magenta and Ryan Carter-Wilson as Riff Raff deliver contrasting tones that elevate the show—Bird’s sultry vocals and Carter-Wilson’s eerie presence create a dynamic that keeps the audience hooked. But the emerald-cloaked jewel of the night is Jackie Clune, as Narrator, who deserves special mention for her razor-sharp wit and effortless audience interaction, peppering the performance with topical humour and quick-fire improvisation that makes every show feel unique.
Musically, the production excels under Adam Smith’s direction, with a five-piece band delivering a sound that’s both powerful and precise, concealed in the upper rafters of Hugh Durrant’s set design, which adds layers of atmosphere, transforming the stage into a decadent mansion filled with gothic details and taxidermy oddities. While the overall soundscape is strong, a few early audio issues slightly muddle the mix, though these are minor distractions in an otherwise polished performance.
Audience participation remains the beating heart of Rocky Horror. Edinburgh’s crowd embraced the tradition with gusto; corsets, fishnets, and glitter dominated the aisles, and the call-and-response moments were met with unrestrained enthusiasm. This communal energy is what makes the show more than a musical; it’s an event, a celebration of individuality and theatrical rebellion. The atmosphere is electric, and for newcomers, it’s an unforgettable introduction to the cult classic. Oh, and in true Panto fashion – don’t worry about the shoutouts and obsenities: they’re (for once) welcome and encouraged.
Not everything is flawless. The pacing occasionally feels rushed, particularly in transitions between key scenes, which can dilute narrative clarity. Some emotional beats—most notably in Donovan’s closing number—could benefit from greater depth and enunciation as the words are lost amidst turns and mumbles. Yet these shortcomings are overshadowed by the sheer vibrancy and commitment of the cast and creative team.
A crackling revival: The Rocky Horror Show at Edinburgh Playhouse is bold, brash, and brimming with glitter and lustre, offering audiences a night of escapism that feels both nostalgic and refreshingly alive. Whether you’re a seasoned fan or a curious first-timer, this production delivers on its promise: a riotous, glitter-soaked celebration of freedom and fun. Dress up, sing along, and surrender to the madness—you won’t regret it. Hell, you might even get a kick out of it…
Brimming with Glitter and Lustre
Rocky Horror Picture Show runs at The Playhouse, Edinburgh until January 10th
Running time – Two hours with one interval
Review by Dominic Corr (contact@corrblimey.uk)
Editor for Corr Blimey, and a freelance critic for Scottish publications, Dominic has been writing freelance for several established and respected publications such as BBC Radio Scotland, The List, The Scotsman, Edinburgh Festival Magazine, The Reviews Hub, In Their Own League, The Wee Review and Edinburgh Guide. As of 2023, he is a member of the Critic’s Award for Theatre Scotland (CATS) and a member of the UK Film Critics.
