"I Can Die Too," directed by Bill Buckhurst, mixes musical and dramatic elements to portray Lily, a troubled actress rehearsing for a role. Despite initial disjointedness, the play shines with energetic performances and clever staging. While it offers a fresh perspective on women's narratives, a deeper emotional exploration would enhance its impact.
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
Sharron Devine's "The Only Way Out Is In," showcased at Pitlochry Festival Theatre, invites single participants into an intimate sensory experience. This production artfully combines sound and tactile exploration, fostering deep connections with the self and nature. Despite its brief duration, it prompts reflection on human relationships and vulnerability.
The Table, co-directed by Christine Devaney, Maria Oller, and Jo Timmins, showcases a collaborative fusion of poetry, music, and movement at the Traverse Theatre. This ensemble piece, exploring themes of inclusion and belonging, challenges traditional theatrical norms with its episodic structure. Despite some unevenness, it celebrates diverse voices and experiences, embodying a spirit of accessibility and community.
The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.
Windblown wins Best Production The 2026 Critics’ Awards for Theatre in Scotland offered a vivid snapshot of a national theatre scene in remarkable health, celebrating a year in which Scottish stages delivered work of striking breadth, ambition and emotional force. Presented by Gavin Mitchell at Glasgow’s newly refurbished Citizens Theatre, the awards recognised no fewer … Continue reading Have a Gander at The Critics Awards for Theatre in Scotland Winners 2026
The Pitlochry Festival Theatre's revival of "Once," directed by John Tiffany, is a testament to intimate storytelling and emotional connection. The performances by Dylan Wood and Lydia White shine, while the ensemble creates a warm, lived-in atmosphere. With exquisite music and a thoughtful design, it promises to be the highlight of the season.
https://youtu.be/H4dgBR16sWI Written and Directed by John Binnie Musical Arrangements and Additional Music by Alyson Orr Poetry and Songs by Robert Burns Review by Dominic Corr Pitlochry Festival Theatre ★★★★ Scotland’s lothario extraordinaire, Robert Burns’ legacy is capable of surviving the truth that, for their talents, they were a colossal layabout, negligent father and lover, and all around bit … Continue reading Review: A Toast Fae The Lassies – Pitlochry Festival Theatre
https://youtu.be/iFs1sckiV4k Written by F. Scott Fitzgerald Adapted by Elizabeth Newman Directed by Sarah Brigham Review by Dominic Corr Pitlochry Festival Theatre ★★★ Obsession and illusion are reframed in a swirl of jazz, longing, and champagne-soaked dreams, as The Great Gatsby returned to the stage in a new adaptation by the Pitlochry Festival Theatre’s most recent Artistic … Continue reading Review: The Great Gatsby – Pitlochry Festival Theatre
Elliot Gooch (Rolf) and Sally Cheng (Liesel Von Trapp) above, to star in the Pitlochry Festival Theatre's The Sound of Music Ahead of The Sound of Music, which opens on the 15th of November at the Pitlochry Festival Theatre, we sat down with Sally Cheng and Elliot Gooch to discuss their roles as Liesl von Trapp … Continue reading Have a Gander at The Sound of Music: A Chat with Sally Cheng and Elliot Gooch
