Edinburgh Festival Fringe 2026 Review: ROOMIES – Jersey at Underbelly, Bristo Square

ROOMIES remains an accomplished, impressively grounded showcase for Stephens' talents. Striking a delicate balance between sardonic Hollywood satire and raw human vulnerability, it delivers an authentic, surprisingly hopeful look at connection when rock bottom is reached and a damning indictment on America’s commercialisation of mental health, and healthcare.

Edinburgh Festival Fringe 2026 Review: Jonathan Oldfield: Exquisite Corpse – Below at Pleasance Courtyard

Jonathon Oldfield's debut show 'Exquisite Corpse' at the Fringe is an hour of absurd character comedy, featuring a mix of his eccentric characters and audience-inspired creations. With rapid pacing and engaging physical gags, the performance delights, although the concept could be further developed. Overall, it's a fun, chaotic experience showcasing Oldfield's comedic talent.

Edinburgh Festival Fringe 2026 Review: Flamenc Oh!! – Music Hall at Assembly Rooms

Flamenc Oh!! is a dynamic collaboration by Yllana and Sadler’s Wells that fuses traditional flamenco with absurd comedy and pop sensibilities. The engaging performance explores generational clashes, showcasing exceptional talent and celebrating heritage while inviting audience participation, despite its somewhat episodic structure.

Edinburgh Festival Fringe 2026 Review: Glob – McEwan Hall at Underbelly, Bristo Square

Les Foutoukours' performance "Glob" at the Edinburgh Fringe offers a mesmerizing experience through physical theatre, showcasing two whimsical creatures in a dreamlike exploration of friendship. Its technical mastery, audience responsiveness, and gentle storytelling create a joyful, captivating atmosphere for all ages.

Edinburgh Festival Fringe 2026 Review: Nesting – Old Lab at Summerhall

Peter McCormick’s Nesting is wonderfully metaphorical whilst holding true to the most touching elements of its subject matter. From the off, Billy Mack’s Francis is absolutely endearing; whether lip-syncing to booming music or crying through the most resonant moments with his daughter, he has the audience wholly invested

Edinburgh Festival Fringe 2026 Review: Little Animals – The Lyceum Studio

In "Little Animals," Paul Ready delivers a poignant monologue exploring environmental indifference during a memorial for a climate activist. Directed by Caroline Steinbeis, it skillfully blurs audience boundaries, fostering introspection.

Edinburgh Festival Fringe 2026 Review: Gareth Mutch Means Well – Stand 1 at The Stand Comedy Club

Gareth Mutch captivates the crowd at The Stand Comedy Club with self-deprecating humor and social commentary. He shares personal anecdotes, engages the audience, and humorously explores embarrassing moments, leaving them with memorable life lessons and laughter.

Edinburgh Festival Fringe 2026 Review: Carrie: The Musical – Main Hall at The Edinburgh Academy

Edinburgh University Footlights' production of Carrie: The Musical features strong vocal performances amid technical issues. While the parody attempts sometimes overshadow genuine emotion, the cast's energy and talent offer an entertaining experience.

Edinburgh Festival Fringe 2026 Review: Turn The Cloth – Turret at Gilded Balloon Teviot

The play "Turn the Cloth," performed at the Turret Theatre, intertwines friendship, folklore, and societal expectations as three women attempt a ritual to summon a mythical figure while confronting their personal struggles and desires.

Edinburgh Festival Fringe 2026 Review: A Microscopic Odyssey – Beside at Pleasance Courtyard

Mycelium Theatre Company's "A Microscopic Odyssey" offers a captivating exploration of microscopist James Weiss, blending meticulous direction and collective performance. Despite venue challenges, the ensemble's chemistry and individual talents shine, making this morning show a remarkable experience at the Edinburgh Fringe.