'The Kibble Palace often houses the less family-friendly part of The BITB season. Caged inside its wrought iron, The Duchess of Malfi feels tightly enclosed and charged with menace.' says Dominic Corr ⭐⭐⭐⭐ - The Duchess of Malfi. Runs at The Kibble Palace, Glasgow, until August 1st
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
Bard in the Botanics’ production of Shakespeare’s Twelfth Night, directed by Jennifer Dick, captivates with accessible storytelling set in the Glasgow Botanic Gardens. Highlighted by strong performances, particularly from Rebecca Robin and Lawrence Boothman, the production balances humor and emotional depth, successfully celebrating Shakespeare's timeless themes amidst a vibrant community atmosphere.
Gordon Barr’s adaptation of Shakespeare’s Othello at the Kibble Palace offers a gripping modern critique of institutional tribalism set in a military context. The minimalist staging, coupled with outstanding performances, notably from Adam Donaldson as Iago and Manasa Tagica as Othello, emphasizes the chilling dynamics of manipulation and trust, resonating with contemporary themes.
The Lyceum's 2026/27 season emphasizes ambitious storytelling, showcasing classic works reinterpreted through contemporary lenses. Highlights include adaptations like The Prime of Miss Jean Brodie and Mother Courage, alongside musicals like Guys & Dolls. The season aims to engage diverse audiences while balancing cherished traditions with fresh interpretations, reflecting theatre's shared essence.
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Edinburgh University Footlights are dusting off the Shakespeare folio and polishing their best Porter patter for a fresh staging of Kiss Me, Kate, the backstage musical where the real drama crackles just beyond the footlights. As a touring company prepares to open The Taming of the Shrew, sparks fly between divorced leads Lilli Vanessi and … Continue reading Have a Gander at Edinburgh University Footlights Presents… Kiss Me, Kate – A Chat With The Whole Gang!
Director Salvador Kent took time out of their busy schedule to have a chat with the team about the Edinburgh University Shakespeare Company's production of Romeo and Juliet, running at The Pleasance Theatre, Edinburgh, from the 9th - 13th of February Thanks for much for taking the time to chat with us; if you wouldn’t … Continue reading Have a Gander at EUSOC: Romeo & Juliet
Now that the Summer light dwindles and the entire roster of 2024 shows from Pitlochry has emerged across all three stages, the chill of Autumn and Winter heralds in – but rather than dwell on what was, we look towards the new 2025 season at Pitlochry Festival Theatre after a booming 2024 showcase that saw … Continue reading Have A Gander – Pitlochry Festival Theatre 2025 Season
Written by Francis Beaumont With Additional Text by Ben Jonson, El Josar and Matthew Schwarz Adapted and Directed by Marc Silberschatz Tickets from £10.80 Chivalry is dead. Isn’t it? At least, that’s what we’ve all been claiming for decades now. Well, centuries. But what chivalry truly is, and when it found itself dead and buried, is something we’ve … Continue reading Review: The Knight of the Burning Pestle – The Royal Conservatoire of Scotland, Glasgow
