In "Baby Everything," Lee Minora portrays a hyperactive individual grappling with personal anxieties and the overwhelming state of global politics. Blending humor and absurdity, the performance encourages audience reflection on optimism and despair amidst constant bad news. With engaging energy, it offers a poignant commentary on contemporary life.
Flabbergast Theatre’s staging of Samuel Beckett's classic delivers a physical interpretation of "Endgame." Henry Maynard’s powerful performance as Hamm and Simon Gleave’s dynamic Clov bring humor to the existential despair. The production, though demanding and lengthy, showcases remarkable performances that challenge and reward attentive audiences. It’s a bold revival of a masterpiece.
The review by Hunter King appreciates Sound Events Scotland's production of Avenue Q at the Wine Bar at Gilded Balloon Teviot. The show combines humor from South Park and life lessons from Sesame Street, showcasing strong vocal performances despite some cast imbalances. Certain jokes resonate in 2026, while others, particularly regarding the character Christmas Eve, raise concerns. Overall, the performance remains enjoyable.
Acid's Reign, produced by Relish Theatre, is a vibrant drag musical that merges 1970s queer performance with modern political themes. Centered on an activist collective, it features standout performances, particularly from Victoria Scone. Despite slight pacing issues, its powerful script and dazzling production make it a must-see festival highlight.
Arthur Hull's show "Flop! : The Best Songs From The Worst Musicals" explores hidden gems within musical flops, showcasing songs from failed productions. A captivating performer, Hull delivers entertaining renditions, often surpassing the originals. With humor and vocal prowess, he transforms perceived failures into a lively theatrical experience, proving the show's title misleading.
Captivate Theatre’s revival of Come From Away at the Assembly Rooms is a heartfelt portrayal of the kindness shown by Gander, Newfoundland residents to stranded travelers after 9/11. While the performances are strong, particularly Lucy Pedersen's accent coaching, sound mixing issues detracted from the experience. Overall, it’s a compelling, emotional show.
Dik Downey's one-man adaptation of Don Quixote, performed at Pleasance Dome, creatively combines puppetry and prop comedy. After donning a suit of armor purchased online, Downey engages with the audience while delivering a humorous retelling of Cervantes' classic. The show promises immense entertainment, even for those unfamiliar with the story.
The Woman in the Mirror, adapted by Dayna Steele for the Edinburgh Festival Fringe, explores the challenging dynamics of caregiving for an aging parent with Alzheimer’s. Combining humor and heartbreak, the two-woman play presents an intimate portrayal of love, loss, and the complex realities faced by unpaid caregivers, showcasing both performers' exceptional talents.
"44 Minutes is a gripping psychological thriller that explores moral dilemmas and human nature under extreme pressure."
In "Extra Dry," Michelle Renee Johnson explores her tumultuous relationship with alcohol through a solo performance. Directed by Lila Rachel Becker, the piece combines humor and harsh realities of addiction. While engaging and immersive, the script's repetitive nature and lack of depth prevent it from fully capturing the emotional stakes of her journey.
