In "Extra Dry," Michelle Renee Johnson explores her tumultuous relationship with alcohol through a solo performance. Directed by Lila Rachel Becker, the piece combines humor and harsh realities of addiction. While engaging and immersive, the script's repetitive nature and lack of depth prevent it from fully capturing the emotional stakes of her journey.
Tag: New Writing
Edinburgh Festival Fringe 2026 Review: Spinster – George Mackay Brown Library at Scottish Storytelling Centre
Frankie Regalia's Spinster, performed at the Scottish Storytelling Centre, intertwines humor and history, reflecting on women’s autonomy and craftsmanship. Through engaging storytelling, Regalia captivates audiences with relatable tales while prompting reflection on societal progress and regression.
Edinburgh Festival Fringe 2026 Review: In Other Words – Just The Attic at Just The Tonic at The Mash House
In Other Words, a captivating solo show by Maya Shoham at the Festival Fringe, merges storytelling, spoken word, and humor to explore the complexities of growing up in a multilingual environment. Despite some teething issues, its creativity and engaging performance make it a standout, resonating with universal themes of identity and belonging.
Review: I Can Die Too- Pitlochry Festival Theatre
"I Can Die Too," directed by Bill Buckhurst, mixes musical and dramatic elements to portray Lily, a troubled actress rehearsing for a role. Despite initial disjointedness, the play shines with energetic performances and clever staging. While it offers a fresh perspective on women's narratives, a deeper emotional exploration would enhance its impact.
Review: Revolution Days at The Citizens Theatre, Glasgow
Revolution Days, directed by Shilpa T-Hyland and written by Mariem Omari, explores the humanitarian impacts of war through the eyes of aid worker Samira. The production captures the complexities of conflict, blending personal experiences with dark humor, while emphasizing the importance of bearing witness to human stories amid chaos.
Review: Sunset Boulevard: The Backstage Cut – Perth Theatre,
"Sunset Boulevard: The Backstage Cut at Perth Theatre is a playful tribute to Hollywood's mythology, featuring strong performances but lacking deeper engagement with its darker themes and emotional stakes."
Review: Sweat at The Citizens Theatre, Glasgow
Stand & Deliver at The Tron Theatre captures the 1981 Lee Jeans sit-in, showcasing workers' determination through humor and music. With strong performances and direction, it honors collective action while acknowledging the complexities of resistance.
Review: The National Theatre of Scotland: May Day – Central Hall, Edinburgh
Co-curated and Directed by Cora Bissett and Hannah Lavery Review by Dominic Corr ★★★★ An international beacon; Scotland’s writing, talent, music, and movement is a world-leader. So too is its sense of justice and inclusive nature. But even so; the swell of the Right is nothing which can be ignored. The National Theatre of Scotland’s … Continue reading Review: The National Theatre of Scotland: May Day – Central Hall, Edinburgh
Review: Stand & Deliver: The Lee Jeans Sit-In at The Tron Theatre, Glasgow
Stand & Deliver at The Tron Theatre captures the 1981 Lee Jeans sit-in, showcasing workers' determination through humor and music. With strong performances and direction, it honors collective action while acknowledging the complexities of resistance.
Review: Jackals – Summerhall, Edinburgh
The production "Jackals" explores Emma Eckstein's tragic experiences with Sigmund Freud, emphasizing women's suppressed histories through impactful performances, though its dense dialogue sometimes hinders emotional resonance.
