The Sacred Heart University Repertory Theatre Company's musical parody of Schitt’s Creek charms fans with a lively depiction of the Peony family’s quest for gay icon status at a Canadian parade. With strong performances, spot-on costumes, and engaging choreography, this fun-filled hour offers joy and nostalgia for devoted enthusiasts.
this new script, written and directed by James Harvey with Bella Burgess as co-director, is effortlessly farcical, needing just a little more direction to give the story greater purpose without sacrificing its considerable comic chaos.
Sarah Hester Ross captivates audiences at The Den with her explosive performance blending vintage glam and fierce comedy. With an impressive vocal range and provocative humor, she addresses themes of misogyny and female empowerment. Ross's show, "Serving C*nt," delivers a dynamic mix of hilarity and heartfelt commentary, earning rave reviews.
Farrelly delivers a great high-energy performance this year, full of punch lines and current issues which will have you continually laughing out loud—this is one to watch and worth a look. Catch him before the run ends at this Fringe festival at Studio 5 Assembly Festival, Edinburgh.
In "Baby Everything," Lee Minora portrays a hyperactive individual grappling with personal anxieties and the overwhelming state of global politics. Blending humor and absurdity, the performance encourages audience reflection on optimism and despair amidst constant bad news. With engaging energy, it offers a poignant commentary on contemporary life.
The Joker and the Thief, created by Dylan and Will Theatre, explores the estranged friendship of former comic duo Sid and Larry at the 1980 Edinburgh Fringe. Amid their contrasting careers, buried resentments surface during a backstage meeting, revealing their past. The play showcases strong performances and comic chemistry, engaging the audience effectively.
Flabbergast Theatre’s staging of Samuel Beckett's classic delivers a physical interpretation of "Endgame." Henry Maynard’s powerful performance as Hamm and Simon Gleave’s dynamic Clov bring humor to the existential despair. The production, though demanding and lengthy, showcases remarkable performances that challenge and reward attentive audiences. It’s a bold revival of a masterpiece.
The review by Hunter King appreciates Sound Events Scotland's production of Avenue Q at the Wine Bar at Gilded Balloon Teviot. The show combines humor from South Park and life lessons from Sesame Street, showcasing strong vocal performances despite some cast imbalances. Certain jokes resonate in 2026, while others, particularly regarding the character Christmas Eve, raise concerns. Overall, the performance remains enjoyable.
Acid's Reign, produced by Relish Theatre, is a vibrant drag musical that merges 1970s queer performance with modern political themes. Centered on an activist collective, it features standout performances, particularly from Victoria Scone. Despite slight pacing issues, its powerful script and dazzling production make it a must-see festival highlight.
Arthur Hull's show "Flop! : The Best Songs From The Worst Musicals" explores hidden gems within musical flops, showcasing songs from failed productions. A captivating performer, Hull delivers entertaining renditions, often surpassing the originals. With humor and vocal prowess, he transforms perceived failures into a lively theatrical experience, proving the show's title misleading.
