Written by Henry Lewis, Henry Shields, and Jonathan Sayer Directed by Matt DiCarlo Review by Dominic Corr The Festival Theatre ★★★★ The festive season often brings with it a parade of Dickens adaptations, each promising warm familiarity, heartfelt morality, and a sprinkling of theatrical snow. Ans yes, February counts as the festive season – at … Continue reading Review: Christmas Carol Goes Wrong- The Festival Theatre, Edinburgh
Lead Performance by Julia Taudevin Bouffon Direction by Tim Licata The Tron Theatre ★★★★ With current polling across the UK set for an profoundly unsettling tipping of the scales for the next general election, it’ll take more than a spoonful of sugar to make this much needed medicine go down – as a revolting death rattle … Continue reading Review: Auntie Empire at Summerhall, Edinburgh – A Darkly Comic, Bouffon-Laced Reckoning
Performed and created by Ninon Noiret Directed by Ninon Noiret and Camille Marmié The Studio ★★★★ For one evening only, Manipulate plays host to a few side-walkers, as a strange, gallows-rich humour, and tender pulse runs through The Studio Theatre as The Raft of the Crab delivers a fusion of puppetry and physical theatre that … Continue reading Review: The Raft of the Crab – The Studio, Edinburgh
Written by Alan Bennett Directed by Lauren Green ★★★★ Taking one of Alan Bennett’s most wonderfully character-driven texts, there’s a restless and enviable intellectual energy that hums through Bedlam Theatre as Theatre Paradok’s staging of The History Boys delivers a sharp, heartfelt, and sturdy revival of Bennett’s beloved play. Directed by the superbly talented (and … Continue reading Review: The History Boys – Bedlam Theatre, Edinburgh
Artistic Direction and Choreographed by Carlos Acosta Scenography by Nina Dunn with Tyler Forward and Andrew Exeter Review by Dominic Corr The Festival Theatre ★★★★ While winter seems to be in the death-throws of a final bout of chill; a vibrant theatrical warmth fills The Festival Theatre Edinburgh as Carlos Acosta’s Nutcracker in Havana bursts … Continue reading Review: Carlos Acosta’s Nutcracker in Havana – The Festival Theatre, Edinburgh
Directed and Choreographed by Matthew Bourne Orchestrated by Terry Davies Review by Dominic Corr The King's Theatre ★★★★ For a tale draped in crimson and ruby, the overwhelming shade of The Red Shoes tale has always been that of a symbolic sharpness of emerald: a green with envy that cuts through any of the gorgeous … Continue reading Review: The Red Shoes – The King’s Theatre, Glasgow
https://youtu.be/4WkDHuGpStg Created, Directed and Performed by Alex Harvey and Charlotte Mooney - Ockham’s Razor Choreography by Nathan Johnston Review by Marina Funcasta The Lowry ★★★★★ “This piece is a culmination of everything we have learned in the twenty four years we have spent working together. Lets begin: Day One.” Quite an opening. Charlotte Mooney takes off her … Continue reading Review: Ockham’s Razor: Collaborator – The Place, London
Written and Performed by James Clements Composed by Lisa Rigby Directed by Cora Bissett Review by Dominic Corr The Georgian House ★★★ Reinvention: it’s the necessity of survival. But for theatrical retellings of Scotland’s Bard, additional takes on Robert Burns’ turbulent life are starting to threaten to burn at both ends. In a cultural landscape … Continue reading Review: The Burns Project – The Georgian House, Edinburgh
https://youtu.be/NI9YuZK887k Choreography by Hayley Earlam Produced by Isy Sharman Review by Dominic Corr Information ★★★★ With the frost departing Edinburgh, for some, the last thing on their minds would be a visit to the coolness and celebration of winter found with Brrr, an enchanting sensory installation and live performance of light, sound, and movement from … Continue reading Review: Brrr – The Studio, Edinburgh
Review by Marina Funcasta Summerhall - Dissection Room ★★★★★ In both style and substance, PHILOSOPHY OF THE WORLD screams feminism. Loudly. But a messy, chaotic, hilarious kind – precisely what trio, Nora Alexander, Dora Lynn and Kat Cory, try to distance themselves from in the opening of their performance. A proper, organised three-act play, they … Continue reading Review: Edinburgh Festival Fringe 2025 – Philosophy of the World
