The Edinburgh Playhouse and Waverley Care are launching HIV ALOUD: RAISE THE CURTAIN, a collaborative initiative focusing on the voices of people living with HIV. Funded by £20,000 from The National Lottery Community Fund, it aims to challenge stigma through creative writing workshops, culminating in a public performance, promoting accessibility and inclusion.
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Have a Gander: CATS 2026 Shortlists Reflect a Theatre Scene in Confident Motion
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Keep it Fringe 2026: Sixteen Artists Share £40k as the Fringe Society Sounds the Alarm on Sustainability There’s a rhythm to the build up of the Festival Fringe, usually picking up pace around Springtime: the clocks go forward, the posters get sent away for vetting, baked potatoes become more valuable than gold, and the Fringe … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – Keep it Fringe 2026: Sixteen Artists Share £40k
The High Life musical revisits beloved Scottish characters with humor and charm, celebrating nostalgia while delivering engaging performances, vibrant staging, and delightful music, ensuring an entertaining experience.
https://youtu.be/TfJhAowLXyE Text by Josephine Eusebius Directed by Matthew Lenton Review by Dominic Corr The Tron Theatre ★★★★ Life and Death play chess at The Tron Theatre, as Vanishing Point and Teater Katapult come together with a commanding piece of slow-burn, spoke word rich production What I’m Here For. Announcing itself, quite often, with a devastating … Continue reading Review: What I’m Here For – Tron Theatre, Glasgow
There’s turning seventy‑five with a polite slice of Victoria sponge… and then there’s turning seventy‑five the Pitlochry Festival Theatre way: by calling in a trio of Scotland’s most recognisable exports and handing them the mic. Growing old tastefully no longer fits the theatre's dynamic: it's here to stir up momentum and energy. If there was ever any … Continue reading Have a Gander at Pitlochry Festival Theatre’s 75th Anniversary Appeal
There’s a particular sound that echoes across Edinburgh every year. It’s not the seagulls, nor the clatter of scaffolding as yet another venue sprouts from a car park. It’s the collective gasp of Fringe‑goers realising the programme has ballooned again — this time by 1,730 new shows, bringing the total to 2,083; so far. And … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – 1,730 New Shows Confirmed as Edinburgh Braces for Impact
Just when you thought the news from Pitlochry Festival Theatre was about to halt; here they go rolling out another big hitter for Alan Cumming’s inaugural season — and this time it’s Beckett. The Theatre has announced that Siobhán Redmond (currently starring alongside Cumming, Forbes Masson in The National Theatre of Scotland’s The High Life … Continue reading Have a Gander at Samuel Beckett’s Happy Days – Siobhán Redmond Digs Into Beckett’s Bleak Brilliance at Pitlochry
