Wallace the Musical, a hip hop retelling of William Wallace’s story, seamlessly blends humor and emotion, probing his legacy while highlighting overlooked female figures. The energetic score complements a talented cast, with standout performances from Kimberly Mandindo and Ross Mann. The production invites questions about historical narratives, engaging audiences in a vibrant, entertaining experience.
The inaugural Inverness Fringe Festival, taking place from September 28 to October 4, 2026, aims to spotlight northern creatives through workshops, performances, and community engagement in the Highlands. With a focus on accessibility, the festival promotes local talent while offering diverse events, enhancing Scotland's cultural landscape beyond the Central Belt.
The Scottish International Storytelling Festival returns from October 21 to 31, 2026, embracing a Bird and Beast theme with 15 new performances. Celebrating storytelling's role in cultural heritage, the festival features collaborations from international storytellers, highlights myths and legends, and includes community events across Scotland, fostering creativity and cultural exchange.
Frankie Regalia's Spinster, performed at the Scottish Storytelling Centre, intertwines humor and history, reflecting on women’s autonomy and craftsmanship. Through engaging storytelling, Regalia captivates audiences with relatable tales while prompting reflection on societal progress and regression.
The King's Theatre in Edinburgh has officially reopened after a significant redevelopment, enhancing accessibility while preserving its historic character. The project, supported by extensive public funding, aims to position the theatre as a cultural hub for both audiences and performers. This transformation ensures the venue's relevance for future generations.
https://youtu.be/Ox0HZbJArfA Lead Artist - Ferbus Dunnet Co-Direction by Emily Reutlinger Review by Dominic Corr The Studio: Tickets ★★★ There’s a peculiar wonderment in watching a ten-foot grizzly bear brought to life, not by CGI or spectacle, but by the sweat, wit, and ingenuity of a creative and small ensemble. Tenterhooks’ Hercules the Bear takes the … Continue reading Review: Hercules The Bear – The Studio, Festival Theatre
Written by Izzy Gray With Original Music by Quee MacArthur Review by Dominic Corr Scottish Storytelling Centre ★★★★ The adage that the monster within us is the most dangerous of all is far from a unique concept, but to see it utilised with such empathy is strikingly fresh and encouraging in Izzy Gray’s new writing piece, Beastie, … Continue reading Review: Beastie – The Scottish Storytelling Centre, Edinburgh
https://youtu.be/H4dgBR16sWI Written and Directed by John Binnie Musical Arrangements and Additional Music by Alyson Orr Poetry and Songs by Robert Burns Review by Dominic Corr Pitlochry Festival Theatre ★★★★ Scotland’s lothario extraordinaire, Robert Burns’ legacy is capable of surviving the truth that, for their talents, they were a colossal layabout, negligent father and lover, and all around bit … Continue reading Review: A Toast Fae The Lassies – Pitlochry Festival Theatre
Directed, Designed, and Animated by William Kentridge Translated by Robert David Macdonald Review by Dominic Corr The Lyceum Theatre ★★★★ Thirty years after its original incarnation, Faustus in Africa returns with a vengeance—reimagined, recontextualised, and still brimming with theatrical bite. Directed by William Kentridge and brought to life by the legendary Handspring Puppet Company, this … Continue reading Review: Edinburgh International Festival 2025 – Faustus in Africa!
Choreography and Cor-Created by Sophie Laplane Directed and Co-Created by James Bonas Score by Mikael Karlsson & Michael P Atkinson The Festival Theatre ★★★★ Two of the most influential threads in British history. One, the champion of a ‘golden era’, the other, one of Scottish histories’ most notable figures. Scottish Ballet’s Mary, Queen of Scots, … Continue reading Review: Edinburgh International Festival 2025 – Mary, Queen of Scots, The Festival Theatre
