Frankie Regalia's Spinster, performed at the Scottish Storytelling Centre, intertwines humor and history, reflecting on women’s autonomy and craftsmanship. Through engaging storytelling, Regalia captivates audiences with relatable tales while prompting reflection on societal progress and regression.
The King's Theatre in Edinburgh has officially reopened after a significant redevelopment, enhancing accessibility while preserving its historic character. The project, supported by extensive public funding, aims to position the theatre as a cultural hub for both audiences and performers. This transformation ensures the venue's relevance for future generations.
https://youtu.be/Ox0HZbJArfA Lead Artist - Ferbus Dunnet Co-Direction by Emily Reutlinger Review by Dominic Corr The Studio: Tickets ★★★ There’s a peculiar wonderment in watching a ten-foot grizzly bear brought to life, not by CGI or spectacle, but by the sweat, wit, and ingenuity of a creative and small ensemble. Tenterhooks’ Hercules the Bear takes the … Continue reading Review: Hercules The Bear – The Studio, Festival Theatre
Written by Izzy Gray With Original Music by Quee MacArthur Review by Dominic Corr Scottish Storytelling Centre ★★★★ The adage that the monster within us is the most dangerous of all is far from a unique concept, but to see it utilised with such empathy is strikingly fresh and encouraging in Izzy Gray’s new writing piece, Beastie, … Continue reading Review: Beastie – The Scottish Storytelling Centre, Edinburgh
https://youtu.be/H4dgBR16sWI Written and Directed by John Binnie Musical Arrangements and Additional Music by Alyson Orr Poetry and Songs by Robert Burns Review by Dominic Corr Pitlochry Festival Theatre ★★★★ Scotland’s lothario extraordinaire, Robert Burns’ legacy is capable of surviving the truth that, for their talents, they were a colossal layabout, negligent father and lover, and all around bit … Continue reading Review: A Toast Fae The Lassies – Pitlochry Festival Theatre
Directed, Designed, and Animated by William Kentridge Translated by Robert David Macdonald Review by Dominic Corr The Lyceum Theatre ★★★★ Thirty years after its original incarnation, Faustus in Africa returns with a vengeance—reimagined, recontextualised, and still brimming with theatrical bite. Directed by William Kentridge and brought to life by the legendary Handspring Puppet Company, this … Continue reading Review: Edinburgh International Festival 2025 – Faustus in Africa!
Choreography and Cor-Created by Sophie Laplane Directed and Co-Created by James Bonas Score by Mikael Karlsson & Michael P Atkinson The Festival Theatre ★★★★ Two of the most influential threads in British history. One, the champion of a ‘golden era’, the other, one of Scottish histories’ most notable figures. Scottish Ballet’s Mary, Queen of Scots, … Continue reading Review: Edinburgh International Festival 2025 – Mary, Queen of Scots, The Festival Theatre
Written by Sir Ian Rankin and Simon Reade Directed by Loveday Ingram Review by Dominic Corr Tickets from £25.00 ★★★ It’s the end of the evening: the whisky, wine, and cheese. A time when the chatter is flowing, lips are loose, cigarette breaks are frequent, and games are played. Though, perhaps this host-imposed murder mystery … Continue reading Review: Rebus: A Game Called Malice – The Festival Theatre, Edinburgh
https://youtu.be/DGm9cOXuSjk Written by Claire Love Wilson & Peter Lorenz Directed by Peter Lorenz Review by Dominic Corr Touring dates ★★★ Revisiting the history we thought we knew, or even one partially concealed brings together audiences from across oceans and generations and experiences in how familiar they can seem particularly with those in the past whose … Continue reading Review: Morag, You’re A Long Time Deid – The Byre Theatre, St. Andrews
Written and Performed by Khawla Ibraheem Directed and Developed by Oliver Butler Review by Josie Rose Traverse Theatre: Tickets ★★★★★ There is perhaps nothing more destructive, heartbreaking, and ruinous than war. From the constant fear and anxiety experienced by its victims to the terrible external realities made starkly visible to all around, Khawla Ibraheem captures … Continue reading Review: Edinburgh Festival Fringe – A Knock on the Roof
