The Sacred Heart University Repertory Theatre Company's musical parody of Schitt’s Creek charms fans with a lively depiction of the Peony family’s quest for gay icon status at a Canadian parade. With strong performances, spot-on costumes, and engaging choreography, this fun-filled hour offers joy and nostalgia for devoted enthusiasts.
this new script, written and directed by James Harvey with Bella Burgess as co-director, is effortlessly farcical, needing just a little more direction to give the story greater purpose without sacrificing its considerable comic chaos.
Farrelly delivers a great high-energy performance this year, full of punch lines and current issues which will have you continually laughing out loud—this is one to watch and worth a look. Catch him before the run ends at this Fringe festival at Studio 5 Assembly Festival, Edinburgh.
In "Baby Everything," Lee Minora portrays a hyperactive individual grappling with personal anxieties and the overwhelming state of global politics. Blending humor and absurdity, the performance encourages audience reflection on optimism and despair amidst constant bad news. With engaging energy, it offers a poignant commentary on contemporary life.
The Joker and the Thief, created by Dylan and Will Theatre, explores the estranged friendship of former comic duo Sid and Larry at the 1980 Edinburgh Fringe. Amid their contrasting careers, buried resentments surface during a backstage meeting, revealing their past. The play showcases strong performances and comic chemistry, engaging the audience effectively.
The review by Hunter King appreciates Sound Events Scotland's production of Avenue Q at the Wine Bar at Gilded Balloon Teviot. The show combines humor from South Park and life lessons from Sesame Street, showcasing strong vocal performances despite some cast imbalances. Certain jokes resonate in 2026, while others, particularly regarding the character Christmas Eve, raise concerns. Overall, the performance remains enjoyable.
Arthur Hull's show "Flop! : The Best Songs From The Worst Musicals" explores hidden gems within musical flops, showcasing songs from failed productions. A captivating performer, Hull delivers entertaining renditions, often surpassing the originals. With humor and vocal prowess, he transforms perceived failures into a lively theatrical experience, proving the show's title misleading.
"BIRDS," an absurdist dark comedy by Australian duo Alex Hines and Sarah Stafford, features two glamorous middle-aged women who bond at the beach while the world ends around them. With stellar performances, clever dialogue, and a deeper message, the show artfully blends humor with unsettling realities, making it a standout theatrical experience.
Captivate Theatre’s revival of Come From Away at the Assembly Rooms is a heartfelt portrayal of the kindness shown by Gander, Newfoundland residents to stranded travelers after 9/11. While the performances are strong, particularly Lucy Pedersen's accent coaching, sound mixing issues detracted from the experience. Overall, it’s a compelling, emotional show.
Damien Warren-Smith's 'Classic Penguins,' starring Gary Starr, rejuvenates the Fringe with a comedic spectacle featuring charm, audience interaction, and clever wordplay. Despite initial skepticism over nudity, Starr's talent shines through, creating an engaging, joyful experience appealing to diverse audiences. A true Fringe classic.
