In Roxana Silbert's revival of Samuel Beckett's Happy Days at Pitlochry Festival Theatre, Winnie, played by Siobhan Redmond, embodies resilience amidst existential decay. The production transforms bleak themes into an intimate exploration of survival. Redmond's masterful performance shines in a captivating setting, reaffirming the enduring spirit of humanity.
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
Written & Directed by Zinnie Harris ★★★★ A lie is the most considerably ruthless tool we possess. One glance across the sorry state of affairs makes this obvious, where the truth shall set you free, but a lie maintains governance: Tell a lie; apologise. Better yet – tell a lie; tell another. The narrative is … Continue reading The Scent of Roses – Royal Lyceum Theatre
Written by John Byrne Directed by Elizabeth Newman ★★★ A linguistical legend within his own right, it’s been a fair few years since the Scottish writer John Byrne has produced a play. In 1977, the debut production of Writer’s Cramp catapulted Byrne into the hall of Scottish cultural nobility. From pen to palette, Tennis Elbow reverses the gender focus … Continue reading Tennis Elbow – Pitlochry Festival Theatre & The Royal Lyceum
