Julia Pascal's play, "The Banality of Evil: Hannah Arendt, France, 1940," explores the overlooked experiences of women in a concentration camp through a compelling ensemble. Though it presents Harsh realities and the quest for dignity amid atrocities, the narrative becomes overly complex, leaving some philosophical themes unresolved. Running at The Coronet Theatre until November 7th.
Rockpools, performed at Shedinburgh, showcases Molly Windust as a poignant and witty writer and performer. The play explores themes of domesticity and personal struggle through a young wife's humorous yet fragile journey. Co-directed by Ivan Hamshaw Thomas and Gracie Davie, it balances comedic elements with genuine emotional depth, leaving audiences hopeful.
Marina Funcasta reviews the Berliner Ensemble's performance of Oscar Wilde's "De Profundis" at the Coronet Theatre. She describes it as an intense exploration of desire, pain, and artistic creation, with Jens Harzer embodying Wilde's spirit. The adaptation captures the emotional depth of Wilde's prose, transcending mere translation.
"Children of Empire," presented by KnockOff Theatre, explores the strained relationship between a white father and his mixed-race daughter amidst a backdrop of national discord following the 2025 "Operation Raise the Colours." The play's confinement inside a car symbolizes their emotional suffocation while addressing broader themes of estrangement and political tensions, ultimately delivering a thought-provoking yet emotionally restrained experience.
Marina Funcasta reviews Simon McBurney's performance of Basil Bunting's "Briggflatts," likening it to T.S. Eliot's work. While the production captivates with its modernist themes and engages the audience, it sometimes struggles with pace and deeper exploration of Bunting's darker biographical aspects. Ultimately, the experience highlights Bunting's connection to his audience.
"Stories for Boys," directed by Hope Wishart and written by Kieron Barry, captivates with its unpredictable narrative and surreal elements. The play explores love and mortality through whimsical characters, Asso and Basso, amidst absurd skits by a chorus. Its unique design enhances its dreamlike quality, blending comedy and tragedy seamlessly.
The World Class Wrecking Crew, directed by Iris Supple-Still and written by Barney Herrin, explores the complex relationship between an absent father and his daughter against the backdrop of graffiti, addiction, and gentrification in London. Despite some pacing issues, the production effectively balances comedy and tragedy, resonating deeply with the community it represents.
Truth & Treason, directed by Matt Whitaker, explores the story of Helmuth Hubener, a teenager resisting the Nazi regime. The film emphasizes the power of language and the moral complexities faced by its characters. While impactful and politically relevant, the storytelling sometimes sacrifices intimacy, distancing the audience from the protagonist's journey.
Written by Stawomir Mrozek Review by Marina Funcasta Golden Goose Theatre ★★★★ Charlie and Striptease are put in conversation in this Absurdist double-bill which takes it shape in the back room of the Golden Goose Theatre in Clapham. A grey, run-down building, the pub itself retains a raw dinginess which Slawomir Mrozek’s pieces, especially Striptease, … Continue reading Review: Charlie and Striptease – Golden Goose Theatre, London
Written by Mark Burgess Directed by Selina Cadell Review by Marina Funcasta Park Theatre ★★★★★ I must admit, sitting down in my seat a few minutes before Zeb Soanes’ performance began, I began to realise just how out of my depth I was. Surrounded by familiar (celebrity) faces, and pompous critics, every conversation in my … Continue reading Review: Two Halves of Guinness – Park Theatre, London
