Bryn Woz's burlesque show, "Entendre Entendre," captivates with a blend of humor and emotion, showcasing her multifaceted talent, while seamlessly engaging the audience in a memorable experience.
Tag: Hunter King
Edinburgh Festival Fringe 2026 Review: Bryn Woz: SMUT – The Snug Bar, Assembly Roxy
Bryn Woz's burlesque show, "Entendre Entendre," captivates with a blend of humor and emotion, showcasing her multifaceted talent, while seamlessly engaging the audience in a memorable experience.
Edinburgh Festival Fringe 2026 Review: One Million Words – Jack Dome, Pleasance Dome
Ivo Müller’s Fringe debut, One Million Words, explores Rainer Maria Rilke’s existential poetry and letters, engaging audiences through a philosophical lens. While the show may feel slow for some, Müller’s compelling performance fosters a deep emotional connection. It offers introspection and wisdom for those seeking understanding of themselves and the world.
Edinburgh Festival Fringe 2026 Review: Tiny Planet – King Dome, Pleasance Dome
Half a String's production "Tiny Planet" captivates audiences with its enchanting visuals and strong environmental messages. While designed for children, it offers valuable themes that resonate across ages, earning its Fringe accolades.
Edinburgh Festival Fringe 2026 Review: Final Queen- Big Belly, Underbelly
When they say “save the best for last” they are almost certainly referring to Grace Lightning as the classic “final girl” horror film survivor in her Edinburgh Fringe debut Final Queen. Harrison Sweeney and Rachel Kelly have struck the perfect mix of horror, circus, comedy, and most importantly, camp.
Review: Pinocchio Unstrung
Unlike its predecessors in the Twisted Childhood Universe, this film seemed to lack the camp and silliness that comes from making nasty versions of childhood icons. Despite all of this, the Twisted Childhood Universe is still inherently a fun idea and has potential to make creative films, but when it comes to the abysmal portrayal of children in this one, to quote one of the final lines of the film, “Don’t do it again, OK?”
Review: Everybody’s Talking About Jamie – Church Hill Theatre, Edinburgh
Find Your Light Theatre’s production of Everybody's Talking About Jamie delivers a heartfelt story of self-acceptance and dreams, featuring strong performances, particularly from Olly Freeman-Ferguson as Jamie. Despite some rough edges, including clunky transitions and occasional choreography issues, the show captivates with its vibrant energy and impressive technical elements, making for an enjoyable experience.
Review: Spamalot – Portobello Town Hall
Happy Sad Productions showcases "Monty Python’s Spamalot" at Portobello Town Hall, delivering a high-energy performance filled with slapstick humor and stellar comedic timing. Standout performances from Stephen Donaldson as King Arthur and Justyne Snyder as the Lady of the Lake highlight the show, despite some sound issues. Overall, the production blends silliness and modern references into a hilarious experience.
Review: The Karate Kid – The Musical at The Festival Theatre, Edinburgh
The Karate Kid: The Musical at The Festival Theatre brings nostalgia and excitement to the iconic story. With solid performances, particularly by Gino Ochello as Daniel and Adrian Pang as Mr. Miyagi, the production offers memorable songs and impressive choreography. While it has some structural flaws, it ultimately delivers a captivating coming-of-age tale.
Review: Lyceum at Home on Stage – The Royal Lyceum Theatre
The Royal Lyceum's "The Lyceum at Home" celebrates community through a series of poignant monologues related to Edinburgh's identity. Directed by Jennifer Fletcher, the performance weaves together hopes and memories, showcasing the essence of human connection. Each narrative, enriched by the cast's performances, highlights the importance of people over places.