Despite all of this the film is a fun watch. It is not a film that you would turn on searching for a deep meaning or to see Oscar worthy performances, but some of the actors (particularly Davenport) put on a pretty great performance. While it may not win awards or be one to rush to the cinemas for, Hungry is overall a great film to turn on with some mates at a movie night and to just enjoy for what it is.
The play "Turn the Cloth," performed at the Turret Theatre, intertwines friendship, folklore, and societal expectations as three women attempt a ritual to summon a mythical figure while confronting their personal struggles and desires.
Simon Ryninks' film "Out There," premiered at the Edinburgh International Film Festival, explores a young girl's emotional journey to find her missing father, blending humor and heart in a coming-of-age story.
When they say “save the best for last” they are almost certainly referring to Grace Lightning as the classic “final girl” horror film survivor in her Edinburgh Fringe debut Final Queen. Harrison Sweeney and Rachel Kelly have struck the perfect mix of horror, circus, comedy, and most importantly, camp.
Unlike its predecessors in the Twisted Childhood Universe, this film seemed to lack the camp and silliness that comes from making nasty versions of childhood icons. Despite all of this, the Twisted Childhood Universe is still inherently a fun idea and has potential to make creative films, but when it comes to the abysmal portrayal of children in this one, to quote one of the final lines of the film, “Don’t do it again, OK?”
This year's festival showcases a rich array of puppet shows, from heartwarming tales to boundary-pushing comedy. Highlights include "Tiny Planet," exploring the cosmos, and "BTCH EAT DOG," addressing modern womanhood with dark humor. Each performance, unique and immersive, promises unforgettable experiences for audiences of all ages.
Viewer beware, you're in for a scare... Preapre for a selection of the Festival's spookiest, creepiest, and also funniest shows. From ghouls to Traitors, spirits to serial killers, our team shines a light on the Festivals forgotten genre with our Top Horror Picks.
Candle House Collective's play "Claws" offers a unique interactive experience where the audience engages via phone with an actor portraying a customer service representative. The narrative revolves around a deception involving a monster in a closet. While innovative and entertaining, the overall tension lacks seriousness, suggesting room for improvement in storytelling.
2:22 A Ghost Story, directed by Matthew Dunster and Gabriel Vega Weissman, captivates audiences at The Edinburgh Playhouse with its blend of suspense and realism. The plot revolves around Jenny, who believes her home is haunted, and her skeptical husband Sam. The compelling cast and creative staging effectively evoke tension, making it a thought-provoking contemporary ghost story.
The Manipulate Festival has returned to Edinburgh for its 19th edition, with a glorious first time collaboration with The Filmhouse to house their film events. Part of the festival was a collection of animated horror shorts from around the globe. Each had their own styles, providing an eclectic and exciting mix of new works for … Continue reading Review: Animated Horror Shorts (Manipulate Festival) – The Filmhouse, Edinburgh
