By stripping away the bombast of classical heroics, this deeply affecting production excavates the devastating gravitational pull of sisterhood and becomes a classical tale for a contemporary age.
Tag: Glasgow
Review: A Play, A Pie, and A Pint: FEEL_GOOD – Òran Mór, Glasgow
FEEL_GOOD, written by Amy Conway and directed by Ben Standish, explores the absurdity of using AI to combat loneliness through the character Henry, who interacts with an AI version of his ex, Liz. The play blends humor and commentary on intimacy, depression, and reliance on technology, creating an engaging and thought-provoking experience.
Review – Premature
"Premature," directed by Kevin Walls, is a Scottish romantic comedy exploring the awkward journey of two financially strained flatmates, Eilidh and Cameron, who accidentally conceive a child. Despite a limited budget and a script with uneven dialogue, the film showcases strong performances and authentic humor, establishing Walls as a promising new talent in Scottish cinema.
Review: Tony Roper’s The Steamie – The Dundee Rep
Tony Roper's revitalized play "The Steamie" at The Dundee Rep captures the essence of 1950s Glasgow, showcasing four working-class women navigating laundry and life during Hogmanay. With a mix of humor and poignant moments, it explores themes of female solidarity, community, and resilience. This enduring Scottish classic remains relevant and captivating.
Review: 1984 – The Citizen’s Theatre, Glasgow
High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
Review: High Society – The King’s Theatre, Glasgow
High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
Review: Bard in the Botanics: Emma – The Botanical Gardens, Glasgow
Bard in the Botanics' production of "Emma," directed by Gordon Barr and adapted by Jennifer Dick, offers a lively outdoor rendition filled with humor and charm. The cast, led by Esme Bayley, engages the audience with vibrant performances, despite some pacing issues. Overall, it presents a delightful exploration of romantic misunderstandings amidst a comedic backdrop, suitable for summer enjoyment.
Review: Bard in the Botanics: The Duchess of Malfi – Kibble Palace, Glasgow
'The Kibble Palace often houses the less family-friendly part of The BITB season. Caged inside its wrought iron, The Duchess of Malfi feels tightly enclosed and charged with menace.' says Dominic Corr ⭐⭐⭐⭐ - The Duchess of Malfi. Runs at The Kibble Palace, Glasgow, until August 1st
Review: Bard in the Botanics: Twelfth Night- Kibble Palace, Glasgow
Bard in the Botanics’ production of Shakespeare’s Twelfth Night, directed by Jennifer Dick, captivates with accessible storytelling set in the Glasgow Botanic Gardens. Highlighted by strong performances, particularly from Rebecca Robin and Lawrence Boothman, the production balances humor and emotional depth, successfully celebrating Shakespeare's timeless themes amidst a vibrant community atmosphere.
Review: Mean Girls- The King’s Theatre, Glasgow
Mean Girls, delivers a humorous and heartfelt portrayal of high school life with strong performances and clever staging. It effectively captures the essence of the beloved 2004 film while engaging today's audience.