The King's Theatre in Edinburgh has officially reopened after a significant redevelopment, enhancing accessibility while preserving its historic character. The project, supported by extensive public funding, aims to position the theatre as a cultural hub for both audiences and performers. This transformation ensures the venue's relevance for future generations.
The Lyceum's 2026/27 season emphasizes ambitious storytelling, showcasing classic works reinterpreted through contemporary lenses. Highlights include adaptations like The Prime of Miss Jean Brodie and Mother Courage, alongside musicals like Guys & Dolls. The season aims to engage diverse audiences while balancing cherished traditions with fresh interpretations, reflecting theatre's shared essence.
The Edinburgh Playhouse and Waverley Care are launching HIV ALOUD: RAISE THE CURTAIN, a collaborative initiative focusing on the voices of people living with HIV. Funded by £20,000 from The National Lottery Community Fund, it aims to challenge stigma through creative writing workshops, culminating in a public performance, promoting accessibility and inclusion.
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Bard in the Botanics celebrates its 25th anniversary with the upcoming season, Lovers and Madmen, emphasizing bold risk-taking, fresh interpretations, and a commitment to engaging, actor-driven storytelling in classical theatre.
Keep it Fringe 2026: Sixteen Artists Share £40k as the Fringe Society Sounds the Alarm on Sustainability There’s a rhythm to the build up of the Festival Fringe, usually picking up pace around Springtime: the clocks go forward, the posters get sent away for vetting, baked potatoes become more valuable than gold, and the Fringe … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – Keep it Fringe 2026: Sixteen Artists Share £40k
There’s turning seventy‑five with a polite slice of Victoria sponge… and then there’s turning seventy‑five the Pitlochry Festival Theatre way: by calling in a trio of Scotland’s most recognisable exports and handing them the mic. Growing old tastefully no longer fits the theatre's dynamic: it's here to stir up momentum and energy. If there was ever any … Continue reading Have a Gander at Pitlochry Festival Theatre’s 75th Anniversary Appeal
There’s a particular sound that echoes across Edinburgh every year. It’s not the seagulls, nor the clatter of scaffolding as yet another venue sprouts from a car park. It’s the collective gasp of Fringe‑goers realising the programme has ballooned again — this time by 1,730 new shows, bringing the total to 2,083; so far. And … Continue reading Have A Gander at The Edinburgh Festival Fringe 2026 – 1,730 New Shows Confirmed as Edinburgh Braces for Impact
Just when you thought the news from Pitlochry Festival Theatre was about to halt; here they go rolling out another big hitter for Alan Cumming’s inaugural season — and this time it’s Beckett. The Theatre has announced that Siobhán Redmond (currently starring alongside Cumming, Forbes Masson in The National Theatre of Scotland’s The High Life … Continue reading Have a Gander at Samuel Beckett’s Happy Days – Siobhán Redmond Digs Into Beckett’s Bleak Brilliance at Pitlochry
Pitlochry Festival Theatre is limbering up the ankles and clearing the floor, because this October the town’s in for a stoater. The UK première of CEILIDH, a new musical steeped in Scotland’s favourite communal chaos ritual, will take over Pitlochry Town Hall from 7–17 October — and it’s arriving with some serious creative heft behind … Continue reading Have a Gander at CELIDH – Pitlochry’s Set for a Right Good Knees-Up
