Benjamin Freckelton’s adaptation of Tolstoy’s "After The Ball" at Bedlam Theatre immerses audiences in a captivating exploration of class and systemic violence, set in 1940s England. While visually striking, the script occasionally falters with heavy exposition. Engaging performances and innovative staging ultimately overshadow its dialogue shortcomings, prompting reflection on societal suffering.
Al Seed and Judith Milligan's "Thrice" reimagines Shakespeare’s Macbeth with nine performers, transforming the iconic witches into a tragic chorus of survivors. The visually striking production, enhanced by Lina Limosani’s choreography and Guy Veale’s sound design, explores themes of grief and resilience in a haunting post-tragedy landscape, running until October 24 at The Traverse Theatre.
Written and Performed by Al Seed Dramaturg by Niloo-Far Khan ★★★★ A place of worship. A place of war. How often they seem to be the same. Guarded, or sullied, by the presence of a small white statue of a woman, presumably a Goddess or religious figure of sorts, is the only element of the … Continue reading Plinth – Dundee Rep
