Based on the novel Hinterland by Caroline Brothers Directed and Co-Design by Jamie Harrison Directed by Candice Edmunds Adapted by Oliver Emanuel Review by Libbi Hutton Citizens Theatre ★★★★ It is impossible not to be affected by Oliver Emanuel’s stage adaptation of Caroline Brother’s novel ‘Hinterland’. Theatre company Vox Motus’ ‘Flight’ approaches the challenging task … Continue reading Review: Flight – Citizens Theatre, Glasgow
Written by Samuel Beckett Directed by Dominic Hill Review by Dominic Corr The Citizens Theatre ★★★★★ A profound stillness settles over The Citizens Theatre as Waiting for Godot returns in a staging that feels both monumental and startlingly intimate, a triumph that reaffirms the play’s place as one of the most quietly devastating works of … Continue reading Review: Waiting for Godot – The Citizens Theatre, Glasgow
Performed and created by Ninon Noiret Directed by Ninon Noiret and Camille Marmié The Studio ★★★★ For one evening only, Manipulate plays host to a few side-walkers, as a strange, gallows-rich humour, and tender pulse runs through The Studio Theatre as The Raft of the Crab delivers a fusion of puppetry and physical theatre that … Continue reading Review: The Raft of the Crab – The Studio, Edinburgh
Lead Artist and Performed by Mamoru Iriguchi Co-Directed & Co-Designed by Fergus Dunnet Review by Dominic Corr Traverse Theatre (Manipulate Run) ★★★ A strikingly unique and compelling theatrical curiosity unfolds in Glasgow as Vanishing Point presents Size Matters, a production that stretches its central metaphor across an hour of inventive puppetry, shifting scale, and philosophical musing, landing … Continue reading Review: Size Matters – The Citizens Theatre, Glasgow
Directed, Designed, and Animated by William Kentridge Translated by Robert David Macdonald Review by Dominic Corr The Lyceum Theatre ★★★★ Thirty years after its original incarnation, Faustus in Africa returns with a vengeance—reimagined, recontextualised, and still brimming with theatrical bite. Directed by William Kentridge and brought to life by the legendary Handspring Puppet Company, this … Continue reading Review: Edinburgh International Festival 2025 – Faustus in Africa!
Created by Buzzcut Productions Review by Marina Funcasta Summerhall - Anatomy Lecture Theatre ★★★★ Buzzcut Productions combines cameras, puppets, diorama sets and a remarkably peculiar story to create a spellbinding, though uncanny, depiction of rural English suburbia. Emerging from a similar world to Wes Anderson’s Fantastic Mr Fox and Tim Burton’s Coraline, this Wonderland is, … Continue reading Review: Edinburgh Festival Fringe 2024 – Bark Bark
Direction by Alex Bird Original Direction by Ross MacKay and Arran Howie Tickets from £13.00 ★★★★★ Under the gaze of the one-eyed deity, the world below is changing. A golden age of peace and prosperity - infected with avarice, hatred, and endless aggression. Winter has failed to ebb, and the sun hangs low in the sky, … Continue reading Review: Manipulate Festival 2024 – Ragnarok at The Traverse Theatre, Edinburgh
Directed by Nicolas Alline and Dorothée Saysombat Tickets from £13.00 ★★★ Mercifully, theatrical expressions and writings surrounding colonial conquest are prying open the locked eyes of ignorance with growing abundancy: Enough of Him, Blood and Gold, Meaning of Zong, the National Theatre of Scotland’s Ghosts, and at the previous Festival Fringe there was tremendous success with Dark Noon. A conversation and discussion often … Continue reading Review: Manipulate Festival 2024 – La Conquête at The Studio, Edinburgh
Scenography and Composition by Wannes Deneer Dramaturgy by Marie Peeters ★★★★ Here’s the not-so-subtle secret about putting on a show: it's expensive. So Belgian choreographer Ugo Dehaes, forced into a corner by paying their dancers a living and deserving wage as part of his company Kwaad Bloed, instead seeks to remove the human element from their future dance performances and instead do what … Continue reading Review: Manipulate Festival 2024 – Simple Machines at Fruitmarket, Edinburgh
L’Amour du Risque Staging by Olivier Rannou Construction & Performed by Morien Nolot and Olivier Rannou ★★★★ The first in two shows at Manipulate that fringe into the dreaded realms of the ‘killer of creativity’, AI and robotics, Compagnie Bakelite’s L’Amour Du Risque reminds gleeful and invested audiences that perhaps, just now, it’s not all that it’s cracked up to be … Continue reading Review: Manipulate 2024 – L’Amour du Risque and Envahisseurs (Invaders)
