SIX The Musical, created by Toby Marlow and Lucy Moss, reimagines the stories of Henry VIII's wives through a dynamic pop concert format. Blending humor, empowerment, and diverse musical styles, it encourages audience engagement while highlighting historical injustices. The production, praised for its visuals and performances, offers a fresh feminist perspective on Tudor history.
Category: Musical
Review: Annie – The Edinburgh Playhouse
The revival of Annie at The Edinburgh Playhouse exudes infectious energy, superb performances, and iconic songs, leaving audiences uplifted. This production captures the timeless charm of the beloved musical brilliantly.
Review: Silence of The Lambs – The Festival Theatre, Edinburgh
When adapting a well known and beloved piece of media for the stage there will always be noise coming from the masses. Whether that be audiences that are disappointed that the show was too similar to the film, or that is strayed too far away from its source, adaptations will inevitably be held to higher standards (especially if they’re based on the only horror film to win Best Picture at the Academy Awards.) The Silence of the Lambs tries desperately to reach those high standards and nearly does before an unfortunate dip in the second half of the show.
Review: The Tailor of Inverness – The Royal Lyceum, Edinburgh
Matthew Zajac’s autobiographical play, The Tailor of Inverness, explores his father's harrowing journey during World War II. Despite an uneven structure and reliance on geographic data, the production offers poignant reflections on migration and identity, highlighted by Zajac's engaging performance and an evocative live score. A must-see for all audiences.
Review: High Society – The Edinburgh Playhouse
High Society at The Edinburgh Playhouse is a delightful golden-age musical, featuring sharp wit, humor, and impressive performances. Set in a Long Island mansion, the story intertwines romance and comedic chaos with a brilliant score. While some musical moments lacked clarity, the production captivates audiences with its charm and energy.
Review: Tony Roper’s The Steamie – The Dundee Rep
Tony Roper's revitalized play "The Steamie" at The Dundee Rep captures the essence of 1950s Glasgow, showcasing four working-class women navigating laundry and life during Hogmanay. With a mix of humor and poignant moments, it explores themes of female solidarity, community, and resilience. This enduring Scottish classic remains relevant and captivating.
Review: High Society – The King’s Theatre, Glasgow
High Society at The King's Theatre is a vibrant production celebrating Cole Porter’s music and old-fashioned glamour. It features strong performances, notably from Helen George as Tracy Lord, and impressive visuals. While the book occasionally falters in dramatic tension, the show delivers an entertaining evening of sophistication, charm, and musicality.
Review: A History of Paper – Pitlochry Festival Theatre
'Beautifully conceived and deeply moving, A History of Paper stands as a gentle, gorgeous testament to the lasting power of human touch, and the journey we make. Nothing will ever replace the weight we imbue into something tangible: and in this case, that’s live theatre.
Review: I Can Die Too- Pitlochry Festival Theatre
"I Can Die Too," directed by Bill Buckhurst, mixes musical and dramatic elements to portray Lily, a troubled actress rehearsing for a role. Despite initial disjointedness, the play shines with energetic performances and clever staging. While it offers a fresh perspective on women's narratives, a deeper emotional exploration would enhance its impact.
Review: Lear – Pitlochry Festival Theatre
Pitlochry Festival Theatre’s reimagining of Lear, directed by Finn Den Hertog and featuring Maureen Beattie, offers a bold exploration of power and familial disintegration. The production captivates with its emotional depth, striking design, and strong performances, portraying a profound tragedy that resonates both politically and personally. A significant triumph for the theatre.
