"Shall Roger Casement Hang?" at Hill Street Theatre, directed by Hannah Bradley Croall, examines power and personal mythology through an intense dialogue between Sir Roger Casement and Captain Hall. The production balances dense political themes with intimate performances, showcasing the complexities of loyalty and identity. A notable debut for Union Theatre Company, it enriches Edinburgh's arts scene.
The Edinburgh People’s Theatre presents a successful rendition of Calendar Girls, directed by Jacqueline Wheble. The story follows Annie, who, alongside friends from the Women’s Institute, creates a nude calendar to raise funds after her husband's terminal cancer diagnosis. The performances, particularly by Lynn Cameron and Carol Bryce, capture the balance of humor and emotion, providing a heartfelt exploration of sisterhood amidst tragedy.
The Edinburgh People’s Theatre presents a successful rendition of Calendar Girls, directed by Jacqueline Wheble. The story follows Annie, who, alongside friends from the Women’s Institute, creates a nude calendar to raise funds after her husband's terminal cancer diagnosis. The performances, particularly by Lynn Cameron and Carol Bryce, capture the balance of humor and emotion, providing a heartfelt exploration of sisterhood amidst tragedy.
Strawmoddie Theatre presents "The Night Watch", directed by Blair Flucker, featuring Commander Vimes in a time-travel adventure through a revolutionary Ankh-Morpork. The production showcases impressive performances, particularly by Chris Allan and Ben Blow, balanced with engaging set design and effective choreography, despite a lengthy runtime. Overall, a captivating homage to Pratchett.
The Edinbards' production of Nottingham, set in the unique Pianodrome venue, creatively adapts the familiar Robin Hood tale with a blend of DND and folk elements. Despite strong performances and captivating visuals, the show struggles with musical coherence and pacing, hindering its overall impact. Nonetheless, it showcases significant potential for future revisions.
Written by Dale Wasserman, From the Novel by Ken Kesey Review by Hunter King Church Hill Theatre ★★★★ Leitheatre has transformed the Church Hill Theatre into one of the most famous psychiatric hospitals in the canon in their production of One Flew Over the Cuckoo’s Nest. In theme with the crux of the show, the … Continue reading Review: One Flew Over the Cuckoo’s Nest – Church Hill Theatre, Edinburgh
Southern Light Opera's "Guys and Dolls," directed by Andy Johnston, captivates with its charming ensemble performance and standout vocal talent from leads Olivia Hall and Greg McCafferty-Thomson. The ambitious choreography and eye-catching design contribute to a joyous atmosphere, despite some distracting directorial choices. Overall, it's a fun-filled evening at The Festival Theatre.
By Tash McPhillips and Jordan S Daniel Review by Hunter King ★★★★ Once upon a time there was a sex robot, an internet creep, and a group of swans doing cocaine in a club bathroom. This may not be what you expect from a fairytale, but this is exactly what Jordan S Daniel and Tash … Continue reading Review: Fairytales26- The Traverse Theatre, Edinburgh
Written by Benjamin Rome Clark Directed by Alex Bathe Review by Hunter King ★★★★★ Tartan Tabletop have broken free from their mold of tabletop role-playing games and produced a brand new play, Mr. and Mrs. Beard at the Georgian House in New Town, Edinburgh. The play, as described by playwright Benjamin Rome Clark, combines three … Continue reading Review: Mr. & Mrs. Beard – Georgian House, Edinburgh
Presented by Citadel Arts Group Review by Hunter King ★★★★ This past weekend, the Scottish Storytelling Centre staged a production of In A Class of their Own, a play adapted by Sam Cassimally, based on the novel of the same name by a well-beloved Edinburgh writer, Millie Gray. The play tells a story of Rachel … Continue reading Review: In A Class of Their Own – The Scottish Storytelling Centre, Edinburgh
